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Today's Stichomancy for William T. Sherman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Bureaucracy by Honore de Balzac:

and did his best to repress it, mentally resolved to abandon the lad to his own devices if he persisted. When Rabourdin sent for him to come down and receive instructions about some particular piece of work, Phellion gave all his mind to it,--listening to every word the chief said, as a dilettante listens to an air at the Opera. Silent in the office, with his feet in the air resting on a wooden desk, and never moving them, he studied his task conscientiously. His official letters were written with the utmost gravity, and transmitted the commands of the minister in solemn phrases. Monsieur Phellion's face was that of a pensive ram, with little color and pitted by the small- pox; the lips were thick and the lower one pendent; the eyes light-

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Beauty and The Beast by Bayard Taylor:

unbounded, took her words literally, and applied the questions to himself. Although he found it difficult, in good faith and sincerity, to answer all of them affirmatively (he was puzzled, for instance, to know the sensation of molten lava falling upon the heart), yet the general conclusion was inevitable: Helena was necessary to his happiness.

Instead of returning to Kinesma for the summer, as had been arranged, he determined to remain in St. Petersburg, under the pretence of devoting himself to military studies. This change of plan occasioned more disappointment to the Princess Martha than vexation to Prince Alexis. The latter only growled at the prospect

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Alexander's Bridge by Willa Cather:

case of boys, is not so easy as you might imagine, Mrs. Alexander. Some get a bad hurt early and lose their courage; and some never get a fair wind. Bartley"--he dropped his chin on the back of his long hand and looked at her admiringly--"Bartley caught the wind early, and it has sung in his sails ever since."

Mrs. Alexander sat looking into the fire with intent preoccupation, and Wilson studied her half-averted face. He liked the suggestion of stormy possibilities in the proud


Alexander's Bridge
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Merry Men by Robert Louis Stevenson:

He glanced over his shoulder at the open door, where the shadow was still lingering and shivering; and with no conscious repugnance of the mind, yet with a tremor of the belly, he drew near the body of his victim. The human character had quite departed. Like a suit half-stuffed with bran, the limbs lay scattered, the trunk doubled, on the floor; and yet the thing repelled him. Although so dingy and inconsiderable to the eye, he feared it might have more significance to the touch. He took the body by the shoulders, and turned it on its back. It was strangely light and supple, and the limbs, as if they had been broken, fell into the oddest postures. The face was robbed of all expression; but it was as pale as wax,