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Today's Stichomancy for Woody Allen

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Pool in the Desert by Sara Jeanette Duncan:

her fancy her life's only budding towards the sun. Her patience lasted through six years, which was four years longer than any doctor had given Frederick Prendergast to live; but when one last morning she found an empty bed, and learned that Number 1596 had been discharged in his coffin, she rose from the shock with the sense of a task fully performed and a well-developed desire to see what else there might be in the world.

She announced her intention of travelling for a year or two with a maid, and her family expressed the usual acquiescence. It would help her, they said, to 'shake it off'; but they said that to one another. They were not aware--and it would have spoiled an ideal

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Protagoras by Plato:

will be gratified and not pleased; for gratification is of the mind when receiving wisdom and knowledge, but pleasure is of the body when eating or experiencing some other bodily delight. Thus spoke Prodicus, and many of the company applauded his words.

Hippias the sage spoke next. He said: All of you who are here present I reckon to be kinsmen and friends and fellow-citizens, by nature and not by law; for by nature like is akin to like, whereas law is the tyrant of mankind, and often compels us to do many things which are against nature. How great would be the disgrace then, if we, who know the nature of things, and are the wisest of the Hellenes, and as such are met together in this city, which is the metropolis of wisdom, and in the greatest and most

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Rewards and Fairies by Rudyard Kipling:

'Nay, nay. You must not turn from me too! She laid it all fairly before the lads in Brickwall garden between the yews. I told 'em that if Philip sent a fleet (and to make a plantation he could not well send less), their poor little cock-boats could not sink it. They answered that, with submission, the fight would be their own concern. She showed 'em again that there could be only one end to it - quick death on the sea, or slow death in Philip's prisons. They asked no more than to embrace death for my sake. Many men have prayed to me for life. I've refused 'em, and slept none the worse after; but when my men, my tall, fantastical young men, beseech me on their knees for leave to die for me, it shakes

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Crisis in Russia by Arthur Ransome:

in inspecting "sick" wagons for themselves, taking out any that they thought had a chance even of temporary convalescence. Incidentally they caused great scandal by finding in the Smolensk sidings among the locomotives and wagons supposed to be sick six good locomotives and seventy perfectly healthy wagons. Then they began to improve the feeding of their army by sending the wood they

had cut, in the trains they had mended, to people who wanted wood and could give them provisions. One such train went to Turkestan and back from the army near Smolensk. Their work continually increased, and since they