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Today's Stichomancy for Al Pacino

The first excerpt represents the past or something you must release, and is drawn from Madam How and Lady Why by Charles Kingsley:

that can possibly have to do with her lifting up Hartford Bridge Flat. But you have been longing, perhaps, all this time to hear more about Lady Why, and why she set Madam How to make Bracknell's Bottom.

My dear child, the only answer I dare give to that is: Whatever other purposes she may have made it for, she made it at least for this--that you and I should come to it this day, and look at, and talk over it, and become thereby wiser and more earnest, and we will hope more humble and better people. Whatever else Lady Why may wish or not wish, this she wishes always, to make all men wise and all men good. For what is written of her whom, as in a

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Amy Foster by Joseph Conrad:

had been sea-sick and battened down below for four days, that he had no general notion of a ship or of the sea, and therefore could have no definite idea of what was happening to him. The rain, the wind, the darkness he knew; he understood the bleating of the sheep, and he remembered the pain of his wretchedness and misery, his heartbroken as- tonishment that it was neither seen nor understood, his dismay at finding all the men angry and all the women fierce. He had approached them as a beg- gar, it is true, he said; but in his country, even if

Amy Foster
The third excerpt represents the future or something you must embrace, and is drawn from Salammbo by Gustave Flaubert:

the others should interfere in it without being willing to obey him. Autaritus would divine his speech from his countenance and applaud. Narr' Havas would elevate his chin to mark his disdain; there was not a measure he did not consider fatal; and he had ceased to smile. Sighs would escape him as though he were thrusting back sorrow for an impossible dream, despair for an abortive enterprise.

While the Barbarians deliberated in uncertainty, the Suffet increased his defences: he had a second trench dug within the palisades, a second wall raised, and wooden towers constructed at the corners; and his slaves went as far as the middle of the outposts to drive caltrops into the ground. But the elephants, whose allowances were lessened,