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Today's Stichomancy for Ashlee Simpson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Life of the Spider by J. Henri Fabre:

fall of foreign bodies which, swept by the wind, might end by obstructing it; lastly, she uses it as a snare by offering the Flies and other insects whereon she feeds a projecting point to settle on. Who shall tell us all the wiles employed by this clever and daring huntress?

'Let us now say something about my rather diverting Tarantula- hunts. The best season for them is the months of May and June. The first time that I lighted on this Spider's burrows and discovered that they were inhabited by seeing her come to a point on the first floor of her dwelling--the elbow which I have mentioned--I thought that I must attack her by main force and


The Life of the Spider
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Underground City by Jules Verne:

be perpetuated by the remembrance of the catastrophe of the MOTALA, and indisputably confirm the truth of the apparition of the Fire-Maidens.

A hearty fellow like Jack Ryan, with so strong a constitution, could not be long confined to his bed. A few sprains and bruises were not quite enough to keep him on his back longer than he liked. He had not time to be ill.

Jack, therefore, soon got well. As soon as he was on his legs again, before resuming his work on the farm, he wished to go and visit his friend Harry, and learn why he had not come to the Irvine merry-making. He could not understand his absence, for Harry was not a man who would willingly promise and not perform.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lady Windermere's Fan by Oscar Wilde:

LORD WINDERMERE. I will not - I cannot - she must come!

LADY WINDERMERE. Then I shall do exactly as I have said. [Goes R.] You leave me no choice. [Exit R.]

LORD WINDERMERE. [Calling after her.] Margaret! Margaret! [A pause.] My God! What shall I do? I dare not tell her who this woman really is. The shame would kill her. [Sinks down into a chair and buries his face in his hands.]

ACT DROP

SECOND ACT

SCENE

Drawing-room in Lord Windermere's house. Door R.U. opening into

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Mrs. Warren's Profession by George Bernard Shaw:

of acceptance as being a representation of what people with blood in them think or do on such occasions." Thus am I crushed between the upper millstone of the Mr Redford, who thinks me a libertine, and the nether popular critic, who thinks me a prude. Critics of all grades and ages, middle-aged fathers of families no less than ardent young enthusiasts, are equally indignant with me. They revile me as lacking in passion, in feeling, in manhood. Some of them even sum the matter up by denying me any dramatic power: a melancholy betrayal of what dramatic power has come to mean on our stage under the Censorship! Can I be expected to refrain from laughing at the spectacle of a number of