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Today's Stichomancy for Beyonce

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Bab:A Sub-Deb, Mary Roberts Rinehart by Mary Roberts Rinehart:

got to K.

Luncheon was a great surprize, as at 12:45 a car apeared on the sky line and was reported by our Sentry as aproaching rapidly.

When it came near it was seen to be driven by Carter Brooks, and to contain several baskets, etcetera. He then dismounted and saluted and said:

"The Commiseriat has sent me forward with the day's rations, sir."

"Very good," I returned, in an official manner. "Corps will line up and count. Odd numbers to unpack and evens to set the table."

This of course was figurative, as we have no table, but eat upon the ground.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Scaramouche by Rafael Sabatini:

thickly.

Pity stirred at last in Andre-Louis. Some of the sternness left his face. He sighed. "Good-bye, monsieur," he said.

"You are hard," his father told him, speaking wistfully. "But perhaps you are in the right so to be. In other circumstances I should have been proud to have owned you as my son. As it is... " He broke off abruptly, and as abruptly added, "Good-bye."

He loosed his son's hand and stepped back. They bowed formally to each other. And then M. de La Tour d'Azyr bowed to Mlle. de Kercadiou in utter silence, a bow that contained something of utter renunciation, of finality.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Captain Stormfield by Mark Twain:

fifty million whites have died in America from the beginning up to to-day - make it sixty, if you want to; make it a hundred million - it's no difference about a few millions one way or t'other. Well, now, you can see, yourself, that when you come to spread a little dab of people like that over these hundreds of billions of miles of American territory here in heaven, it is like scattering a ten-cent box of homoeopathic pills over the Great Sahara and expecting to find them again. You can't expect us to amount to anything in heaven, and we DON'T - now that is the simple fact, and we have got to do the best we can with it. The learned men from other planets and other systems come here and hang around a while, when they are

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Phaedrus by Plato:

degrees and ways to different kinds of art; to a statue, for example, far more than to any kind of literary composition, and to some species of literature far more than to others. Nor does the dialogue appear to be a style of composition in which the requirement of unity is most stringent; nor should the idea of unity derived from one sort of art be hastily transferred to another. The double titles of several of the Platonic Dialogues are a further proof that the severer rule was not observed by Plato. The Republic is divided between the search after justice and the construction of the ideal state; the Parmenides between the criticism of the Platonic ideas and of the Eleatic one or being; the Gorgias between the art of speaking and the nature of the good; the Sophist between the