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Today's Stichomancy for Brad Pitt

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Historical Mystery by Honore de Balzac:

she descended into the vaulted chambers. Michu replaced the stones above them with the dexterity of a mason. As he finished, the sound of horses' feet and the voices of the gendarmes echoed in the darkness; but he quietly struck a match, lighted a resinous bit of wood and led the countess to the /in pace/, where there was still a piece of the candle with which he had first explored the caves. An iron door of some thickness, eaten in several places by rust, had been put in good order by the bailiff, and could be fastened securely by bars slipping into holes in the wall on either side of it. The countess, half dead with fatigue, sat down on a stone bench, above which there still remained an iron ring, the staple of which was embedded in the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Polity of Athenians and Lacedaemonians by Xenophon:


This being so, I maintain that it is not possible for business affairs at Athens to stand on any very different footing from the present, except to some slight extent, by adding here and deducting there. Any large modification is out of the question, short of damaging the democracy itself. No doubt many expedients might be discovered for improving the constitution, but if the problem be to discover some adequate means of improving the constitution, while at the same time the democracy is to remain intact, I say it is not easy to do this, except, as I have just stated, to the extent of some trifling addition here or deduction there.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The School For Scandal by Richard Brinsley Sheridan:

SURFACE. You are too Rash Sir Peter--you SHALL hear me--The man who shuts out conviction by refusing to---- [Exeunt, SURFACE following and speaking.]



SCENE I.--The Library


SURFACE. Mr. Stanley! and why should you think I would see him?-- you must know he came to ask something!

SERVANT. Sir--I shouldn't have let him in but that Mr. Rowley came to the Door with him.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Essays & Lectures by Oscar Wilde:

into some of your simpler cities, that there was so much bad work done. I found, where I went, bad wall-papers horribly designed, and coloured carpets, and that old offender the horse-hair sofa, whose stolid look of indifference is always so depressing. I found meaningless chandeliers and machine-made furniture, generally of rosewood, which creaked dismally under the weight of the ubiquitous interviewer. I came across the small iron stove which they always persist in decorating with machine-made ornaments, and which is as great a bore as a wet day or any other particularly dreadful institution. When unusual extravagance was indulged in, it was garnished with two funeral urns.