The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Two Brothers by Honore de Balzac: life of a half-pay officer; indeed, like any other young man of
twenty-one, he exaggerated them, vowed in good earnest a mortal enmity
to the Bourbons, never reported himself at the War department, and
even refused opportunities which were offered to him for employment in
the infantry with his rank of lieutenant-colonel. In his mother's
eyes, Philippe seemed in all this to be displaying a noble character.
"The father himself could have done no more," she said.
Philippe's half-pay sufficed him; he cost nothing at home, whereas all
Joseph's expenses were paid by the two widows. From that moment,
Agathe's preference for Philippe was openly shown. Up to that time it
had been secret; but the persecution of this faithful servant of the
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Twice Told Tales by Nathaniel Hawthorne: raised, to scare himself out of his scanty wits withal! Here was
the semblance of an incalculable sum, enough to purchase the
whole town, and build every street anew, but which, vast as it
was, no sane man would have given a solid sixpence for. What
then, in sober earnest, were the delusive treasures of the chest?
Why, here were old provincial bills of credit, and treasury
notes, and bills of land, banks, and all other bubbles of the
sort, from the first issue, above a century and a half ago, down
nearly to the Revolution. Bills of a thousand pounds were
intermixed with parchment pennies, and worth no more than they.
"And this, then, is old Peter Goldthwaite's treasure!" said John
 Twice Told Tales |
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Frankenstein by Mary Shelley: my eyeballs were starting from their sockets in attending to the
details of my employment. The dissecting room and the slaughter-
house furnished many of my materials; and often did my human nature turn
with loathing from my occupation, whilst, still urged on by an eagerness
which perpetually increased, I brought my work near to a conclusion.
The summer months passed while I was thus engaged, heart and soul,
in one pursuit. It was a most beautiful season; never did the fields bestow
a more plentiful harvest or the vines yield a more luxuriant vintage,
but my eyes were insensible to the charms of nature. And the same feelings
which made me neglect the scenes around me caused me also to forget those
friends who were so many miles absent, and whom I had not seen for so
 Frankenstein |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Underdogs by Mariano Azuela: for food among the huizache trees, descried the close-
cropped neck of Valderrama's horse in the distance
among the rocks.
"Hey! Come here, you fool, after all there ain't been
no gravy!" he shouted.
Whenever anything was said about shooting someone,
Valderrama, the romantic poet, would disappear for a
whole day.
Hearing Anastasio's voice, Valderrama was convinced
that the prisoners had been set at liberty. A few mo-
ments later, he was joined by Venancio and Demetrio.
 The Underdogs |