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Today's Stichomancy for Brittany Murphy

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Extracts From Adam's Diary by Mark Twain:

be a relation. That is what she thinks, but this is an error, in my judgment. The difference in size warrants the conclusion that it is a different and new kind of animal--a fish, perhaps, though when I put it in the water to see, it sank, and she plunged in and snatched it out before there was opportunity for the experiment to determine the matter. I still think it is a fish, but she is indifferent about what it is, and will not let me have it to try. I do not understand this. The coming of the creature seems to have changed her whole nature and made her unreasonable about experiments. She thinks more of it than she does of any of the other animals, but is not able to explain why. Her mind is

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Heart of the West by O. Henry:

ragged, milk-white gulf clouds.

The wagon-shed was an excellent place for ambush; and the ranger got inside it safely. In the black shadow of the brush shelter in front of the /jacal/ he could see a horse tied and hear him impatiently pawing the hard-trodden earth.

He waited almost an hour before two figures came out of the /jacal/. One, in man's clothes, quickly mounted the horse and galloped past the wagon-shed toward the crossing and village. And then the other figure, in skirt, waist, and mantilla over its head, stepped out into the faint moonlight, gazing after the rider. Sandridge thought he would take his chance then before Tonia rode back. He fancied she might not

Heart of the West
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Village Rector by Honore de Balzac:

elegantly arranged within. The old banker took part in the conspiracy, in which Farrabesche, Fresquin, Clousier's nephew, and nearly all the well-to-do people in Montegnac co-operated. Grossetete sent down some beautiful furniture. The clock tower, copied from that at Vevay, made a charming effect in the landscape. Six boats, two for each pond, were secretly built, painted, and rigged during the winter by Farrabesche and Guepin, assisted by the carpenter of Montegnac.

When the day arrived (about the middle of May) after a breakfast Madame Graslin gave to her friends, she was taken by them across the park--which was finely laid out by Gerard, who, for the last five years, had improved it like a landscape architect and naturalist--to

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from La Grenadiere by Honore de Balzac:

Louis and Marie kneeling on either side of her, like two angels; they watched the expression of her face, and smiled lovingly at her.

"If only I could take that smile with me!" she said, drying her eyes.

Then she went into the house and took to the bed, which she would only leave for her coffin.

A week went by, one day exactly like another. Old Annette and Louis took it in turns to sit up with Mme. Willemsens, never taking their eyes from the invalid. It was the deeply tragical hour that comes in all our lives, the hour of listening in terror to every deep breath lest it should be the last, a dark hour protracted over many days. On the fifth day of that fatal week the doctor interdicted flowers in the