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Today's Stichomancy for Brittany Murphy

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Contrast by Royall Tyler:

Why, when you are introduced you must make five or six elegant bows.

JONATHAN

Six elegant bows! I understand that; six, you say? Well--

JESSAMY

Then you must press and kiss her hand; then press and kiss, and so on to her lips and cheeks; then talk as much as you can about hearts, darts, flames, nectar, and ambrosia--the more incoherent the better.

JONATHAN

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Disputation of the Power and Efficacy of Indulgences by Dr. Martin Luther:

egenti melius facit quam si venias redimereet.

19. [44] Quia per opus charitatis crescit charitas et fit homo melior, sed per venias non fit melior sed tantummodo a pena liberior.

20. [45] Docendi sunt christiani, quod, qui videt egenum et neglecto eo dat pro veniis, non idulgentias Pape sed indignationem dei sibi vendicat.

21. [46] Docendi sunt christiani, quod nisi superfluis abundent necessaria tenentur domui sue retinere et nequaquam propter venias effundere.

22. [47] Docendi sunt christiani, quod redemptio veniarum est

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from New Arabian Nights by Robert Louis Stevenson:

bastion for the sand, so that there was here a promontory in the coast-line between two shallow bays; and just beyond the tides, the rock again cropped out and formed an islet of small dimensions but strikingly designed. The quicksands were of great extent at low water, and had an infamous reputation in the country. Close in shore, between the islet and the promontory, it was said they would swallow a man in four minutes and a half; but there may have been little ground for this precision. The district was alive with rabbits, and haunted by gulls which made a continual piping about the pavilion. On summer days the outlook was bright and even gladsome; but at sundown in September, with a high wind, and a

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Mrs. Warren's Profession by George Bernard Shaw:

would have clothed her black soul with all the terrors of tragedy. I have no doubt they would; but if you please, my dear Grein, that is just what I did not want to do. Nothing would please our sanctimonious British public more than to throw the whole guilt of Mrs Warren's profession on Mrs Warren herself. Now the whole aim of my play is to throw that guilt on the British public itself. You may remember that when you produced my first play, Widowers' Houses, exactly the same misunderstanding arose. When the virtuous young gentleman rose up in wrath against the slum landlord, the slum landlord very effectively shewed him that slums are the product, not of