The first excerpt represents the past or something you must release, and is drawn from The Wheels of Chance by H. G. Wells: "There's a train from Lyndhurst at thirteen minutes to six," said
Widgery, unfolding a time table. "That gives us about half an
hour or three-quarters here--if a conveyance is obtainable, that
is."
"A gelatine lozenge dropped into the tea cup precipitates the
tannin in the form of tannate of gelatine," said the clergyman to
Miss Mergle, in a confidential bray.
Jessie stood up, and saw through the window a depressed head and
shoulders over the top of the back of a garden seat. She moved
towards the door. "While you have tea, mother," she said, "I must
tell Mr. Hoopdriver of our arrangements."
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Nada the Lily by H. Rider Haggard: sullenly. But when I spoke of dragging her to the chief then she flung
herself upon the ground, and clasped my knees, for since I called him
old, she thought that this chief could not be Umslopogaas.
"Oh, my father," said the Lily, "oh, my father, have pity on me! Yes,
yes! I am a girl, a maid--no wife--and you who are old, you, perchance
have daughters such as I, and in their name I ask for pity. My father,
I have journeyed far, I have endured many things, to find my way to a
kraal where my brother rules, and now it seems I have come to the
wrong kraal. Forgive me that I spoke to you so, my father; it was but
a woman's feint, and I was hard pressed to hide my sex, for my father,
you know it is ill to be a lonely girl among strange men."
 Nada the Lily |
The third excerpt represents the future or something you must embrace, and is drawn from Edition of The Ambassadors by Henry James: She waited a moment. "The young lady mayn't find herself able to
swallow THAT quantity. She may think it's paying too much; she may
weigh one thing against another."
Strether, ever restless in such debates, took a vague turn "It
will all depend on who she is. That of course--the proved ability
to deal with dear old Woollett, since I'm sure she does deal with
it--is what makes so strongly for Mamie."
"Mamie?"
He stopped short, at her tone, before her; then, though seeing
that it represented not vagueness, but a momentary embarrassed
fulness, let his exclamation come. "You surely haven't forgotten
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