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Today's Stichomancy for Carmen Electra

The first excerpt represents the past or something you must release, and is drawn from Ion by Plato:

holds universally? Must the same art have the same subject of knowledge, and different arts other subjects of knowledge?

ION: That is my opinion, Socrates.

SOCRATES: Then he who has no knowledge of a particular art will have no right judgment of the sayings and doings of that art?

ION: Very true.

SOCRATES: Then which will be a better judge of the lines which you were reciting from Homer, you or the charioteer?

ION: The charioteer.

SOCRATES: Why, yes, because you are a rhapsode and not a charioteer.

ION: Yes.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Bickerstaff-Partridge Papers by Jonathan Swift:

Can, like the Stars, foretel the Weather; And what is Parchment else but Leather? Which an Astrologer might use, Either for Almanacks or Shoes.

Thus Partridge, by his Wit and Parts, At once did practise both these Arts; And as the boading Owl (or rather The Bat, because her Wings are Leather) Steals from her private Cell by Night, And flies about the Candle-Light; So learned Partridge could as well

The third excerpt represents the future or something you must embrace, and is drawn from The Elixir of Life by Honore de Balzac:

step in the right direction? To this art we owe several honorable professions, which open up ways of living on death. There are people who rely entirely on an expected demise; who brood over it, crouching each morning upon a corpse, that serves again for their pillow at night. To this class belong bishops' coadjutors, cardinals' supernumeraries, tontiniers, and the like. Add to the list many delicately scrupulous persons eager to buy landed property beyond their means, who calculate with dry logic and in cold blood the probable duration of the life of a father or of a step-mother, some old man or woman of eighty or ninety, saying to themselves, "I shall be sure to come in for it in three years'