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Today's Stichomancy for Catherine Zeta-Jones

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Lone Star Ranger by Zane Grey:

offering the reward. Until now I never was within half a day's ride of this town. I'm blamed for what I never did. I rode in here, told who I was, asked somebody to send for Jeff Aiken."

"An' then you set down an' let this old guy throw your own gun on you?" queried the cowboy in amazement.

"I guess that's it," replied Duane.

"Well, it's powerful strange, if you're really Buck Duane."

A man elbowed his way into the circle.

"It's Duane. I recognize him. I seen him in more'n one place," he said. "Sibert, you can rely on what I tell you. I don't know if he's locoed or what. But I do know he's the genuine Buck

The Lone Star Ranger
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Twelve Stories and a Dream by H. G. Wells:

daughters--blundered in, all greatly excited. "It's all right, Ma, you let me," said one of the daughters, hitting her mother's bonnet with a handbag she struggled to put in the rack. Miss Winchelsea detested people who banged about and called their mother "Ma." A young man travelling alone followed. He was not at all "touristy" in his costume, Miss Winchelsea observed; his Gladstone bag was of good pleasant leather with labels reminiscent of Luxembourg and Ostend, and his boots, though brown, were not vulgar. He carried an overcoat on his arm. Before these people had properly settled in their places, came an inspection of tickets and a slamming of doors, and behold! they were gliding out of Charing Cross

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Salammbo by Gustave Flaubert:

had he forsaken them when peace was concluded? His differences with the Council were doubtless but a pretence in order to destroy them. Their unsatisfied hate recoiled upon him, and they cursed him, exasperating one another with their own anger. At this juncture they collected together beneath the plane-trees to see a slave who, with eyeballs fixed, neck contorted, and lips covered with foam, was rolling on the ground, and beating the soil with his limbs. Some one cried out that he was poisoned. All then believed themselves poisoned. They fell upon the slaves, a terrible clamour was raised, and a vertigo of destruction came like a whirlwind upon the drunken army. They struck about them at random, they smashed, they slew; some hurled

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Voice of the City by O. Henry:

He stood up and looked into her eyes, with his harsh laugh like the sawing of wood. He took out his pipe, fumbled with it, and put it back into big pocket with a trembling band.

"That will do," said Mademoiselle, with a slow smile. "I must go now to my masseuse. Good- evening."

The next evening at seven the candy man came and rested his cart under the window. But was it the candy man? His clothes were a bright new check. His necktie was a flaming red, adorned by a glit-

The Voice of the City