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Today's Stichomancy for Chow Yun Fat

The first excerpt represents the past or something you must release, and is drawn from Memoir of Fleeming Jenkin by Robert Louis Stevenson:

chaque membre francais, EMPORTAT a dejeuner un jure etranger. Jenkin applaudit. 'Je vous emimene dejeuner,' lui criai-je. 'Je veux bien.' . . . Nous partimes; en chemin nous vous rencontrions; il vous presente et nous allons dejeuner tous trois aupres du Trocadero.

Et, depuis ce temps, nous avons ete de vieux amis. Non seulement nous passions nos journees au jury, ou nous etions toujours ensemble, cote-a-cote. Mais nos habitudes s'etaient faites telles que, non contents de dejeuner en face l'un de l'autre, je le ramenais diner presque tous les jours chez moi. Cela dura une quinzaine: puis il fut rappele en Angleterre. Mais il revint, et

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Grimm's Fairy Tales by Brothers Grimm:

there runs a mouse; whosoever catches it, may make himself a big fur cap out of it.

THE MOUSE, THE BIRD, AND THE SAUSAGE

Once upon a time, a mouse, a bird, and a sausage, entered into partnership and set up house together. For a long time all went well; they lived in great comfort, and prospered so far as to be able to add considerably to their stores. The bird's duty was to fly daily into the wood and bring in fuel; the mouse fetched the water, and the sausage saw to the cooking.

When people are too well off they always begin to long for something new. And so it came to pass, that the bird, while out one day, met a


Grimm's Fairy Tales
The third excerpt represents the future or something you must embrace, and is drawn from Four Arthurian Romances by Chretien DeTroyes:

fresh and delicately coloured. And then it has pierced my heart to see her clutch her throat. Surely, it is all too true that she is doing the worst she can. And yet no crystal nor any mirror is so bright and smooth. God! why is she thus possessed, and why does she not spare herself? Why does she wring her lovely hands and beat and tear her breast? Would she not be marvellously fair to look upon when in happy mood, seeing that she is so fair in her displeasure? Surely yes, I can take my oath on that. Never before in a work of beauty was Nature thus able to outdo herself, for I am sure she has gone beyond the limits of any previous attempt. How could it ever have happened