The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tales of the Klondyke by Jack London: lines of her body, while a silken kerchief, gay of color and
picturesquely draped, partly covered great masses of blue-black
hair. But it was the face, cast belike in copper bronze, which
caught and held Mrs. Sayther's fleeting glance. Eyes, piercing
and black and large, with a traditionary hint of obliqueness,
looked forth from under clear-stencilled, clean-arching brows.
Without suggesting cadaverousness, though high-boned and
prominent, the cheeks fell away and met in a mouth, thin-lipped
and softly strong. It was a face which advertised the dimmest
trace of ancient Mongol blood, a reversion, after long centuries
of wandering, to the parent stem. This effect was heightened by
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from To-morrow by Joseph Conrad: hear."
"No," shouted Hagberd. He began to pace
wildly to and fro, he shouldered his spade, he ges-
ticulated with his other arm. "Here's a fellow--
a grinning fellow, who says there's something
wrong. I've got more information than you're
aware of. I've all the information I want. I've
had it for years--for years--for years--enough
to last me till to-morrow. Let you come in, indeed!
What would Harry say?"
Bessie Carvil's figure appeared in black silhou-
 To-morrow |