The first excerpt represents the past or something you must release, and is drawn from Proposed Roads To Freedom by Bertrand Russell: or capital. Many others, through their activities in
industry or finance, enjoy an income which is certainly
very far in excess of anything to which their
social utility entitles them. On the other hand, it
often happens that inventors and discoverers, whose
work has the very greatest social utility, are robbed
of their reward either by capitalists or by the failure
of the public to appreciate their work until too
late. The better paid work is only open to those who
have been able to afford an expensive training, and
these men are selected in the main not by merit but
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Life on the Mississippi by Mark Twain: paying commissions and profits. Then when he ships his crop,
the dealer adds his commissions, insurance, etc. So, taking it
by and large, and first and last, the dealer's share of that crop
is about 25 per cent.'
A cotton-planter's estimate of the average margin of profit
on planting, in his section: One man and mule will raise ten
|
The third excerpt represents the future or something you must embrace, and is drawn from The Altar of the Dead by Henry James: our friend, the mere memory of a shock. They stood there and
laughed and talked; Stransom had instantly whisked the shock out of
the way, to keep it for private consumption. He felt himself
grimace, he heard himself exaggerate the proper, but was conscious
of turning not a little faint. That new woman, that hired
performer, Mrs. Creston? Mrs. Creston had been more living for him
than any woman but one. This lady had a face that shone as
publicly as the jeweller's window, and in the happy candour with
which she wore her monstrous character was an effect of gross
immodesty. The character of Paul Creston's wife thus attributed to
her was monstrous for reasons Stransom could judge his friend to
|