| The first excerpt represents the past or something you must release, and is drawn from Oscar Wilde Miscellaneous by Oscar Wilde: that moment it has held the European stage. It has run for a longer
consecutive period in Germany than any play by any Englishman, not
excepting Shakespeare. Its popularity has extended to all countries
where it is not prohibited. It is performed throughout Europe, Asia
and America. It is played even in Yiddish. This is remarkable in
view of the many dramas by French and German writers who treat of
the same theme. To none of them, however, is Wilde indebted.
Flaubert, Maeterlinck (some would add Ollendorff) and Scripture, are
the obvious sources on which he has freely drawn for what I do not
hesitate to call the most powerful and perfect of all his dramas.
But on such a point a trustee and executor may be prejudiced because
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Devil's Dictionary by Ambrose Bierce: vices of another or yourself.
A lady with one of her ears applied
To an open keyhole heard, inside,
Two female gossips in converse free --
The subject engaging them was she.
"I think," said one, "and my husband thinks
That she's a prying, inquisitive minx!"
As soon as no more of it she could hear
The lady, indignant, removed her ear.
"I will not stay," she said, with a pout,
"To hear my character lied about!"
The Devil's Dictionary |
The third excerpt represents the future or something you must embrace, and is drawn from Songs of Travel by Robert Louis Stevenson: Groped upward in the gaps. The green
Inarboured talus and ravine
By fathoms. By the multitude
The rugged columns of the wood
And bunches of the branches stood;
Thick as a mob, deep as a sea,
And silent as eternity.
With lowered axe, with backward head,
Late from this scene my labourer fled,
And with a ravelled tale to tell,
Returned. Some denizen of hell,
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