| The first excerpt represents the past or something you must release, and is drawn from Pride and Prejudice by Jane Austen: the Forsters ever let her go out of their sight? I am sure there
was some great neglect or other on their side, for she is not the
kind of girl to do such a thing if she had been well looked after.
I always thought they were very unfit to have the charge of her;
but I was overruled, as I always am. Poor dear child! And now
here's Mr. Bennet gone away, and I know he will fight
Wickham, wherever he meets him and then he will be killed, and
what is to become of us all? The Collinses will turn us out
before he is cold in his grave, and if you are not kind to us,
brother, I do not know what we shall do."
They all exclaimed against such terrific ideas; and Mr. Gardiner,
Pride and Prejudice |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Two Poets by Honore de Balzac: on which grounds she was said to be exacting. With a slender figure
and delicate proportions, she could afford to indulge in languid
manners, savoring somewhat of affectation, but revealing passion and
the consciousness that every least caprice will be gratified by love.
Francis, the house friend, was rather distinguished-looking. He had
given up his consulship in Valence, and sacrificed his diplomatic
prospects to live near Zephirine (also known as Zizine) in Angouleme.
He had taken the household in charge, he superintended the children's
education, taught them foreign languages, and looked after the
fortunes of M. and Mme. de Senonches with the most complete devotion.
Noble Angouleme, administrative Angouleme, and bourgeois Angouleme
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The third excerpt represents the future or something you must embrace, and is drawn from The House of Dust by Conrad Aiken: What secret dusty chamber was it hinting?
'Dust', it said, 'dust . . . and dust . . . and sunlight . .
A cold clear April evening . . . snow, bedraggled,
Rain-worn snow, dappling the hideous grass . . .
And someone walking alone; and someone saying
That all must end, for the time had come to go . . . '
These were the phrases . . . but behind, beneath them
A greater shadow moved: and in this shadow
I stood and guessed . . . Was it the blue-eyed lady?
The one who always danced in golden slippers--
And had I danced with her,--upon this music?
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