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Today's Stichomancy for Colin Farrell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Lesser Bourgeoisie by Honore de Balzac:

six hundred and eighty for costs."

"Are you acting for Cerizet?" asked the barrister.

"Cerizet has put all the papers into the hands of Louchard, and you know what you have to expect if arrested. Is Cerizet wrong in thinking you have twenty-five thousand francs in your desk? He says you offered them to him and he thinks it only natural not to leave them in your hands."

"Thank you for taking the step, my good friend," replied Theodose. "I have been expecting this attack."

"Between ourselves," replied Desroches, "you have made an utter fool of him, and he is furious. The scamp will stop at nothing to get his

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Essays & Lectures by Oscar Wilde:

rather, I should say, of the hierarchical order of the rational progress of ideas in life, he is not far removed from what the laborious investigations of modern travellers have given us.

And, indeed, as regards the working of the speculative faculty in the creation of history, it is in all respects marvellous how that the most truthful accounts of the passage from barbarism to civilisation in ancient literature come from the works of poets. The elaborate researches of Mr. Tylor and Sir John Lubbock have done little more than verify the theories put forward in the PROMETHEUS BOUND and the DE NATURA RERUM; yet neither AEschylus nor Lucretias followed in the modern path, but rather attained to truth

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Several Works by Edgar Allan Poe:

with barbaric lustre. There are some who would have thought him mad. His followers felt that he was not. It was necessary to hear and see and touch him to be sure that he was not.

He had directed, in great part, the movable embellishments of the seven chambers, upon occasion of this great fete; and it was his own guiding taste which had given character to the masqueraders. Be sure they were grotesque. There were much glare and glitter and piquancy and phantasm--much of what has been since seen in "Hernani". There were arabesque figures with unsuited limbs and appointments. There were delirious fancies such as the madman fashions. There were much of the beautiful, much of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Anabasis by Xenophon:

in Corinth. He died in 354 B.C.

The Anabasis is his story of the march to Persia to aid Cyrus, who enlisted Greek help to try and take the throne from Artaxerxes, and the ensuing return of the Greeks, in which Xenophon played a leading role. This occurred between 401 B.C. and March 399 B.C.

PREPARER'S NOTE

This was typed from Dakyns' series, "The Works of Xenophon," a four-volume set. The complete list of Xenophon's works (though there is doubt about some of these) is:


Anabasis