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Today's Stichomancy for Donald Trump

The first excerpt represents the past or something you must release, and is drawn from War of the Worlds by H. G. Wells:

women we want also--mothers and teachers. No lackadaisical ladies--no blasted rolling eyes. We can't have any weak or silly. Life is real again, and the useless and cumbersome and mischievous have to die. They ought to die. They ought to be willing to die. It's a sort of disloyalty, after all, to live and taint the race. And they can't be happy. Moreover, dying's none so dreadful; it's the funking makes it bad. And in all those places we shall gather. Our district will be London. And we may even be able to keep a watch, and run about in the open when the Martians keep away. Play cricket, per- haps. That's how we shall save the race. Eh? It's a possible

War of the Worlds
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Mansion by Henry van Dyke:

figuratively in the shadow of St. Petronius' Church.

At the same time there was something self-pleased and congratulatory in the way in which the mansion held its own amid the changing neighborhood. It almost seemed to be lifted up a little, among the tall buildings near at hand, as if it felt the rising value of the land on which it stood.

John Weightman was like the house into which he had built himself

The third excerpt represents the future or something you must embrace, and is drawn from The Commission in Lunacy by Honore de Balzac:

by his clerk, the portress, when asked for M. d'Espard, conducted him to the third floor, telling him "as how M. d'Espard, no longer ago than that very morning, had set on his two children to fight, and laughed like the monster he was on seeing the younger biting the elder till he bled, and as how no doubt he longed to see them kill each other.--Don't ask me the reason why," she added; "he doesn't show himself!"

Just as the woman spoke these decisive words, she had brought the judge to the landing on the third floor, face to face with a door covered with notices announcing the successive numbers of the Picturesque History of China. The muddy floor, the dirty banisters,