The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Kwaidan by Lafcadio Hearn: teaching. Chinese precedent doubtless explains why Japanese poets and
painters chose so often for their geimyo, or professional appellations,
such names as Chomu ("Butterfly-Dream)," Icho ("Solitary Butterfly)," etc.
And even to this day such geimyo as Chohana ("Butterfly-Blossom"), Chokichi
("Butterfly-Luck"), or Chonosuke ("Butterfly-Help"), are affected by
dancing-girls. Besides artistic names having reference to butterflies,
there are still in use real personal names (yobina) of this kind,-- such as
Kocho, or Cho, meaning "Butterfly." They are borne by women only, as a
rule,-- though there are some strange exceptions... And here I may mention
that, in the province of Mutsu, there still exists the curious old custom
of calling the youngest daughter in a family Tekona,-- which quaint word,
Kwaidan |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Little Women by Louisa May Alcott: bowed to them in her friendliest manner as she passed, which
was good of her, as it permitted them to see her dress, and
burn with curiosity to know who her distinguished-looking
friend might be. With the first burst of the band, Amy's
color rose, her eyes began to sparkle, and her feet to tap the
floor impatiently, for she danced well and wanted Laurie to
know it. Therefore the shock she received can better be
imagined than described, when he said in a perfectly tranquil
tone, "Do you care to dance?"
"One usually does at a ball."
Her amazed look and quick answer caused Laurie to repair
Little Women |
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Redheaded Outfield by Zane Grey: explanation and eloquence to reinstate Whit in
her affections.
Another time Spears, the wily old fox, succeeded
in detaining Nan on the way to the station,
and the two missed the train. At first the Rube
laughed with the others, but when Stringer
remarked that he had noticed a growing attachment
between Nan and Spears, my great pitcher
experienced the first pangs of the green-eyed
monster. We had to hold him to keep him from
jumping from the train, and it took Milly and Mrs.
The Redheaded Outfield |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Confessio Amantis by John Gower: Sche makth him rathest forto falle:
Ther wot noman what schal befalle,
The happes over mannes hed
Ben honged with a tendre thred.
That proved was on Uluxes;
For whan he was most in his pes,
Fortune gan to make him werre
And sette his welthe al out of herre.
Upon a dai as he was merie,
As thogh ther mihte him nothing derie, 1520
Whan nyht was come, he goth to bedde,
Confessio Amantis |