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Today's Stichomancy for George Clooney

The first excerpt represents the past or something you must release, and is drawn from The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson:

views, you who have denied the virtue of transcendental medicine, you who have derided your superiors--behold!"

He put the glass to his lips and drank at one gulp. A cry followed; he reeled, staggered, clutched at the table and held on, staring with injected eyes, gasping with open mouth; and as I looked there came, I thought, a change--he seemed to swell-- his face became suddenly black and the features seemed to melt and alter--and the next moment, I had sprung to my feet and leaped back against the wall, my arms raised to shield me from that prodigy, my mind submerged in terror.

"O God!" I screamed, and "O God!" again and again; for there

The Strange Case of Dr. Jekyll and Mr. Hyde
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Unconscious Comedians by Honore de Balzac:

slightly to Gazonal, who bent low as before a man of genius.

"So you have elected Stidmann in place of--" he began.

"How could I help it? I wasn't there," replied Lora.

"You bring the Academy into disrepute," continued the painter. "To choose such a man as that! I don't wish to say ill of him, but he works at a trade. Where are you dragging the first of arts,--the art those works are the most lasting; bringing nations to light of which the world has long lost even the memory; an art which crowns and consecrates great men? Yes, sculpture is priesthood; it preserves the ideas of an epoch, and you give its chair to a maker of toys and mantelpieces, an ornamentationist, a seller of bric-a-brac! Ah! as

The third excerpt represents the future or something you must embrace, and is drawn from Falk by Joseph Conrad:

taken at the flood . . . and so on. Personally I am still on the look out for that important turn. I am, however, afraid that most of us are fated to flounder for ever in the dead water of a pool whose shores are arid indeed. But I know that there are often in men's affairs unexpectedly--even irration- ally--illuminating moments when an otherwise in- significant sound, perhaps only some perfectly com- monplace gesture, suffices to reveal to us all the unreason, all the fatuous unreason, of our compla- cency. "Go ahead" are not particularly striking