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Today's Stichomancy for Heidi Klum

The first excerpt represents the past or something you must release, and is drawn from The Mysterious Affair at Styles by Agatha Christie:

listening very carefully, and verifying the position of the various cups.

"So Mrs. Cavendish stood by the tray--and poured out. Yes. Then she came across to the window where you sat with Mademoiselle Cynthia. Yes. Here are the three cups. And the cup on the mantel-piece, half drunk, that would be Mr. Lawrence Cavendish's. And the one on the tray?"

"John Cavendish's. I saw him put it down there."

"Good. One, two, three, four, five--but where, then, is the cup of Mr. Inglethorp?"

"He does not take coffee."


The Mysterious Affair at Styles
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Babbitt by Sinclair Lewis:

called up the Credit Association and the American Security League to see if I was all right--he certainly took long enough--or maybe he just went to sleep; but finally he comes out and looks at me like it hurts him, and croaks, 'I think I can let you have a room with bath.' 'Well, that's awful nice of you--sorry to trouble you--how much 'll it set me back?' I says, real sweet. 'It'll cost you seven bucks a day, friend,' he says.

"Well, it was late, and anyway, it went down on my expense-account--gosh, if I'd been paying it instead of the firm, I'd 'a' tramped the streets all night before I'd 'a' let any hick tavern stick me seven great big round dollars, believe me! So I lets it go at that. Well, the clerk wakes a nice young bell hop--fine lad--not a day over seventy-nine years old--fought at the Battle of

The third excerpt represents the future or something you must embrace, and is drawn from Northanger Abbey by Jane Austen:

when the figure, the dreaded figure of the general himself at the further end of the gallery, stood before her! The name of "Eleanor" at the same moment, in his loudest tone, resounded through the building, giving to his daughter the first intimation of his presence, and to Catherine terror upon terror. An attempt at concealment had been her first instinctive movement on perceiving him, yet she could scarcely hope to have escaped his eye; and when her friend, who with an apologizing look darted hastily by her, had joined and disappeared with him, she ran for safety to her own room, and, locking herself in,


Northanger Abbey