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Today's Stichomancy for Hilary Duff

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Autobiography of Benjamin Franklin by Benjamin Franklin:

it by his Providence; that the most acceptable service of God was the doing good to man; that our souls are immortal; and that all crime will be punished, and virtue rewarded, either here or hereafter. These I esteem'd the essentials of every religion; and, being to be found in all the religions we had in our country, I respected them all, tho' with different degrees of respect, as I found them more or less mix'd with other articles, which, without any tendency to inspire, promote, or confirm morality, serv'd principally to divide us, and make us unfriendly to one another. This respect to all, with an opinion that the worst had some good effects, induc'd me to avoid all discourse that might tend to lessen


The Autobiography of Benjamin Franklin
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Ball at Sceaux by Honore de Balzac:

attention as she thought she deserved. The family were a good deal surprised at the silence into which she had retired. Emilie generally displayed all her arts for the benefit of newcomers, her witty prattle, and the inexhaustible eloquence of her eyes and attitudes. Whether it was that the young man's pleasing voice and attractive manners had charmed her, that she was seriously in love, and that this feeling had worked a change in her, her demeanor had lost all its affectations. Being simple and natural, she must, no doubt, have seemed more beautiful. Some of her sisters, and an old lady, a friend of the family, saw in this behavior a refinement of art. They supposed that Emilie, judging the man worthy of her, intended to delay

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Maggie: A Girl of the Streets by Stephen Crane:

urchin by the neck and shoulder she shook him until he rattled. She dragged him to an unholy sink, and, soaking a rag in water, began to scrub his lacerated face with it. Jimmie screamed in pain and tried to twist his shoulders out of the clasp of the huge arms.

The babe sat on the floor watching the scene, his face in contortions like that of a woman at a tragedy. The father, with a newly-ladened pipe in his mouth, crouched on a backless chair near the stove. Jimmie's cries annoyed him. He turned about and bellowed at his wife:

"Let the damned kid alone for a minute, will yeh, Mary? Yer allus poundin' 'im. When I come nights I can't git no rest 'cause yer allus poundin' a kid. Let up, d'yeh hear? Don't be allus


Maggie: A Girl of the Streets
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Wyoming by William MacLeod Raine:

"A stack of chips," ordered the foreman; and the cook's "Coming up" was scarcely more prompt than the plate of hot cakes he set before the young man.

"Hen fruit, sunny side up," shouted Reddy, who was further advanced in his meal.

"Tame that fog-horn, son," advised Wun Hop; but presently he slid three fried eggs from a frying-pan into the plate of the hungry one.

"I want y'u boys to finish flankin' that bunch of hill calves to-day," said the foreman, emptying half a jug of syrup over his cakes.