The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Ferragus by Honore de Balzac: brother resented it. The discussion took place in the corner of a
room, in a low voice. In good society, adversaries never raise their
voices. The next day the faubourg Saint-Germain and the Chateau talked
over the affair. Madame de Serizy was warmly defended, and all the
blame was laid on Maulincour. August personages interfered. Seconds of
the highest distinction were imposed on Messieurs de Maulincour and de
Ronquerolles and every precaution was taken on the ground that no one
should be killed.
When Auguste found himself face to face with his antagonist, a man of
pleasure, to whom no one could possibly deny sentiments of the highest
honor, he felt it was impossible to believe him the instrument of
 Ferragus |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Plain Tales from the Hills by Rudyard Kipling: grated window. At the head of the Gully is a big cow-byre, and the
walls on either side of the Gully are without windows. Neither
Suchet Singh nor Gaur Chand approved of their women-folk looking
into the world. If Durga Charan had been of their opinion, he would
have been a happier man to-day, and little Biessa would have been
able to knead her own bread. Her room looked out through the grated
window into the narrow dark Gully where the sun never came and where
the buffaloes wallowed in the blue slime. She was a widow, about
fifteen years old, and she prayed the Gods, day and night, to send
her a lover; for she did not approve of living alone.
One day the man--Trejago his name was--came into Amir Nath's Gully
|