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Today's Stichomancy for Hillary Clinton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Ferragus by Honore de Balzac:

brother resented it. The discussion took place in the corner of a room, in a low voice. In good society, adversaries never raise their voices. The next day the faubourg Saint-Germain and the Chateau talked over the affair. Madame de Serizy was warmly defended, and all the blame was laid on Maulincour. August personages interfered. Seconds of the highest distinction were imposed on Messieurs de Maulincour and de Ronquerolles and every precaution was taken on the ground that no one should be killed.

When Auguste found himself face to face with his antagonist, a man of pleasure, to whom no one could possibly deny sentiments of the highest honor, he felt it was impossible to believe him the instrument of


Ferragus
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Plain Tales from the Hills by Rudyard Kipling:

grated window. At the head of the Gully is a big cow-byre, and the walls on either side of the Gully are without windows. Neither Suchet Singh nor Gaur Chand approved of their women-folk looking into the world. If Durga Charan had been of their opinion, he would have been a happier man to-day, and little Biessa would have been able to knead her own bread. Her room looked out through the grated window into the narrow dark Gully where the sun never came and where the buffaloes wallowed in the blue slime. She was a widow, about fifteen years old, and she prayed the Gods, day and night, to send her a lover; for she did not approve of living alone.

One day the man--Trejago his name was--came into Amir Nath's Gully

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Love Songs by Sara Teasdale:

Yet these are wealth enough for me; My thoughts of you are golden coins Stamped in the mint of memory;

And I must spend them all in song, For thoughts, as well as gold, must be Left on the hither side of death To gain their immortality.

Dusk in War Time

A half-hour more and you will lean To gather me close in the old sweet way -- But oh, to the woman over the sea

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Running a Thousand Miles for Freedom by William and Ellen Craft:

his companion, "Wake up, old horse, we are at Philadelphia!"

The sight of those lights and that announce- ment made me feel almost as happy as Bunyan's Christian must have felt when he first caught sight of the cross. I, like him, felt that the straps that bound the heavy burden to my back began to pop, and the load to roll off. I also looked, and looked again, for it appeared very wonderful to me how the mere sight of our first city of refuge should have all at once made my hitherto sad and heavy


Running a Thousand Miles for Freedom