| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from On Revenues by Xenophon: the neighbourhood of the capital.
[63] I adopt Zurborg's correction, {prosphora} for {eisphora}, as
obviously right. See above, iv. 23.
If, at this point, I may assume my proposals to have been carried into
effect, I think I can promise, not only that our city shall be
relieved from a financial strain, but that she shall make a great
stride in orderliness and in tactical organisation, she shall grow in
martial spirit and readiness for war. I anticipate that those who are
under orders to go through gymnastic training will devote themselves
with a new zeal to the details of the training school, now that they
will receive a larger maintenance whilst[64] under the orders of the
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from An Occurrence at Owl Creek Bridge by Ambrose Bierce: the dull thunder of the volley and, rising again toward the
surface, met shining bits of metal, singularly flattened,
oscillating slowly downward. Some of them touched him on the
face and hands, then fell away, continuing their descent.
One lodged between his collar and neck; it was uncomfortably
warm and he snatched it out.
As he rose to the surface, gasping for breath, he saw that he
had been a long time under water; he was perceptibly farther
downstream -- nearer to safety. The soldiers had almost
finished reloading; the metal ramrods flashed all at once in
the sunshine as they were drawn from the barrels,
An Occurrence at Owl Creek Bridge |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Night and Day by Virginia Woolf: on some wave of exaltation and emotion, by which her life at once
became solemn and beautiful--an impression which was due as much,
perhaps, to the solitude and chill and silence of the gallery as to
the actual beauty of the statues. One must suppose, at least, that her
emotions were not purely esthetic, because, after she had gazed at the
Ulysses for a minute or two, she began to think about Ralph Denham. So
secure did she feel with these silent shapes that she almost yielded
to an impulse to say "I am in love with you" aloud. The presence of
this immense and enduring beauty made her almost alarmingly conscious
of her desire, and at the same time proud of a feeling which did not
display anything like the same proportions when she was going about
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Journey to the Center of the Earth by Jules Verne: some half-effaced letters. My uncle at once fastened upon this as the
centre of interest, and he laboured at that blot, until by the help
of his microscope he ended by making out the following Runic
characters which he read without difficulty.
"Arne Saknussemm!" he cried in triumph. "Why that is the name of
another Icelander, a savant of the sixteenth century, a celebrated
alchemist!"
I gazed at my uncle with satisfactory admiration.
"Those alchemists," he resumed, "Avicenna, Bacon, Lully, Paracelsus,
were the real and only savants of their time. They made discoveries
at which we are astonished. Has not this Saknussemm concealed under
Journey to the Center of the Earth |
