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Today's Stichomancy for Hugh Grant

The first excerpt represents the past or something you must release, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola:

about that the company were favored with her history. She said she was the daughter of a midwife at Bercy who had failed in business. First of all she had taken service with a dentist and after that with an insurance agent, but neither place suited her, and she thereupon enumerated, not without a certain amount of pride, the names of the ladies with whom she had served as lady's maid. Zoe spoke of these ladies as one who had had the making of their fortunes. It was very certain that without her more than one would have had some queer tales to tell. Thus one day, when Mme Blanche was with M. Octave, in came the old gentleman. What did Zoe do? She made believe to tumble as she crossed the drawing room; the old

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tanglewood Tales by Nathaniel Hawthorne:

could foretell what would happen to-morrow or the next day, or a hundred years hence, but were generally quite unconscious of what was passing at the moment.

Jason appointed Tiphys to be helmsman because he was a star-gazer, and knew the points of the compass. Lynceus, on account of his sharp sight, was stationed as a look-out in the prow, where he saw a whole day's sail ahead, but was rather apt to overlook things that lay directly under his nose. If the sea only happened to be deep enough, however, Lynceus could tell you exactly what kind of rocks or sands were at the bottom of it; and he often cried out to his companions, that they were

Tanglewood Tales
The third excerpt represents the future or something you must embrace, and is drawn from Enemies of Books by William Blades:

the cover and find the same loving attention inside that has been given to the outside, all the workmanship being true and thorough. Indeed, so conservative is a good binding, that many a worthless book has had an honoured old age, simply out of respect to its outward aspect; and many a real treasure has come to a degraded end and premature death through the unsightliness of its outward case and the irreparable damage done to it in binding.

The weapon with which the binder deals the most deadly blows to books is the "plough," the effect of which is to cut away the margins, placing the print in a false position relatively to the back and head, and often denuding the work of portions of the very text.