The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from 20,000 Leagues Under the Sea by Jules Verne: At this moment there opened before us a large grotto dug in a picturesque
heap of rocks and carpeted with all the thick warp of the submarine flora.
At first it seemed very dark to me. The solar rays seemed to be
extinguished by successive gradations, until its vague transparency became
nothing more than drowned light. Captain Nemo entered; we followed.
My eyes soon accustomed themselves to this relative state of darkness.
I could distinguish the arches springing capriciously from natural pillars,
standing broad upon their granite base, like the heavy columns of
Tuscan architecture. Why had our incomprehensible guide led us to the bottom
of this submarine crypt? I was soon to know. After descending a rather
sharp declivity, our feet trod the bottom of a kind of circular pit.
![](http://images.amazon.com/images/P/0812550927.01.MZZZZZZZ.gif) 20,000 Leagues Under the Sea |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Underground City by Jules Verne: creatures with their own eyes. Jack Ryan was naturally one of them.
It was a fact that from time to time long flames appeared,
sometimes on a broken piece of wall, sometimes on the summit
of the tower which was the highest point of Dundonald Castle.
Did these flames really assume a human shape, as was asserted?
Did they merit the name of fire-maidens, given them by the people
of the coast? It was evidently just an optical delusion,
aided by a good deal of credulity, and science could easily
have explained the phenomenon.
However that might be, these fire-maidens had the reputation
of frequenting the ruins of the old castle and there
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