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Today's Stichomancy for Hugh Jackman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Babbitt by Sinclair Lewis:

understood her as these ordinary fellows at the Boosters' Club never could.

II

Five hours after he had arrived in Zenith and told his wife how hot it was in New York, he went to call on Zilla. He was buzzing with ideas and forgiveness. He'd get Paul released; he'd do things, vague but highly benevolent things, for Zilla; he'd be as generous as his friend Seneca Doane.

He had not seen Zilla since Paul had shot her, and he still pictured her as buxom, high-colored, lively, and a little blowsy. As he drove up to her boarding-house, in a depressing back street below the wholesale district, he stopped in discomfort. At an upper window, leaning on her elbow, was a woman with the features of Zilla, but she was bloodless and aged, like a yellowed

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Adam Bede by George Eliot:

quarries; while Lisbeth would ask him how he supposed the coffin had been got ready, that he had slinked off and left undone--for Lisbeth was always the first to utter the word of reproach, although she cried at Adam's severity towards his father.

"So it will go on, worsening and worsening," thought Adam; "there's no slipping uphill again, and no standing still when once youve begun to slip down." And then the day came back to him when he was a little fellow and used to run by his father's side, proud to be taken out to work, and prouder still to hear his father boasting to his fellow-workmen how "the little chap had an uncommon notion o' carpentering." What a fine active fellow his


Adam Bede
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Shakespeare's Sonnets by William Shakespeare:

And nothing 'gainst Time's scythe can make defence Save breed, to brave him when he takes thee hence.

XIII

O! that you were your self; but, love you are No longer yours, than you your self here live: Against this coming end you should prepare, And your sweet semblance to some other give: So should that beauty which you hold in lease Find no determination; then you were Yourself again, after yourself's decease, When your sweet issue your sweet form should bear.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pellucidar by Edgar Rice Burroughs:

the ancient well upon the rim of the Sahara.

It was the very spot at which I first had seen David Innes. If he had ever raised a cairn above the telegraph instrument no sign of it remained now. Had it not been for the chance that caused Cogdon Nestor to throw down his sleeping rug directly over the hidden instru- ment, it might still be clicking there unheard--and this story still unwritten.

When we reached the spot and unearthed the little box the instrument was quiet, nor did repeated attempts upon the part of our telegrapher succeed in winning


Pellucidar