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Today's Stichomancy for Ice-T

The first excerpt represents the past or something you must release, and is drawn from Tarzan of the Apes by Edgar Rice Burroughs:

At a turning of the trail he came in sight of her again upon another straight stretch. His spear hand went far back the muscles rolled, lightning-like, beneath the sleek hide. Out shot the arm, and the spear sped toward Kala.

A poor cast. It but grazed her side.

With a cry of rage and pain the she-ape turned upon her tormentor. In an instant the trees were crashing beneath the weight of her hurrying fellows, swinging rapidly toward the scene of trouble in answer to Kala's scream.

As she charged, Kulonga unslung his bow and fitted an arrow with almost unthinkable quickness. Drawing the shaft

Tarzan of the Apes
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Black Arrow by Robert Louis Stevenson:

set forth westward up the village.



Sir Daniel and his men lay in and about Kettley that night, warmly quartered and well patrolled. But the Knight of Tunstall was one who never rested from money-getting; and even now, when he was on the brink of an adventure which should make or mar him, he was up an hour after midnight to squeeze poor neighbours. He was one who trafficked greatly in disputed inheritances; it was his way to buy out the most unlikely claimant, and then, by the favour he curried with great lords about the king, procure unjust decisions in his

The third excerpt represents the future or something you must embrace, and is drawn from The Master Key by L. Frank Baum:

with desperate tenacity, while they both mounted steadily upward until they were far above the city of the desert.

The big Turk screamed pitifully at first, and then actually fainted away from fright. Rob was much frightened, on his part, for he knew if his hands slipped from their hold he would fall to his death. Indeed, one hand was slipping already, so he made a frantic clutch and caught firmly hold of the Turk's baggy trousers. Then, slowly and carefully, he drew himself up and seized the leather belt that encircled the man's waist. This firm grip gave him new confidence, and he began to breathe more freely.

He now clung to the body of the Turk with both legs entwined, in the

The Master Key