| The first excerpt represents the past or something you must release, and is drawn from Herodias by Gustave Flaubert: silken skirts of pale hues that enveloped her limbs when she stood
erect, now fell to her shoulders and surrounded her face like a
rainbow. Her lips were tinted a deep crimson, her arched eyebrows were
black as jet, her glowing eyes had an almost terrible radiance; and
the tiny drops of perspiration on her forehead looked like dew upon
white marble.
She made no sound; and the burning gaze of that multitude of men was
concentrated upon her.
A sound like the snapping of fingers came from the gallery over the
pavilion. Instantly, with one of her movements of bird-like swiftness,
Salome stood erect. The next moment she rapidly passed up a flight of
Herodias |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Mayflower Compact: Sovereigne Lord, King James of England, France, and Ireland,
the eighteenth, and of Scotland, the fiftie-fourth,
Anno. Domini, 1620.
Mr. John Carver Mr. Stephen Hopkins
Mr. William Bradford Digery Priest
Mr. Edward Winslow Thomas Williams
Mr. William Brewster Gilbert Winslow
Isaac Allerton Edmund Margesson
Miles Standish Peter Brown
John Alden Richard Bitteridge
John Turner George Soule
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The third excerpt represents the future or something you must embrace, and is drawn from The Children of the Night by Edwin Arlington Robinson: And a passionate humor seized him there --
Seized him and held him until there grew
Like life on his canvas, glowing and fair,
A perilous face -- and an angel's, too.
Angel and maiden, and all in one, --
All but the eyes. -- They were there, but yet
They seemed somehow like a soul half done.
What was the matter? Did God forget? . . .
But he wrought them at last with a skill so sure
That her eyes were the eyes of a deathless woman, --
With a gleam of heaven to make them pure,
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