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Today's Stichomancy for Jennifer Lopez

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Misalliance by George Bernard Shaw:

together twice and whistling that single note that no nightingale can imitate? That is what happened in the woods when I was running away. So I turned; and the pursuer became the pursued.

HYPATIA. I had to fight like a wild cat.

LORD SUMMERHAYS. Please dont tell us this. It's not fit for old people to hear.

TARLETON. Come: how did it end?

HYPATIA. It's not ended yet.

TARLETON. How is it going to end?

HYPATIA. Ask him.

TARLETON. How is it going to end, Mr Percival?

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Market-Place by Harold Frederic:

reached this conclusion; his heavy face brightened into a grin of delight. A vision of Lord Plowden's absurd predicament rose vividly before him, and he chuckled aloud at it.

It seemed only the most natural thing in the world that, at this instant, a clerk should open the door and nod with meaning to the master. The visitor whom he had warned the people in the outer office he expected, had arrived. Thorpe was still laughing to himself when Lord Plowden entered.

"Hallo! How d'ye do!" he called out to him from where he sat at his desk.

The hilarity of the manner into which he had been betrayed,

The Market-Place
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Soul of the Far East by Percival Lowell:

"The heart that is soonest awake to the flowers Is also the first to be touched by the fun."

The Far Oriental well exemplifies this fact. His art, wherever fun is possible, fairly bubbles over with laughter. From the oldest masters down to Hokusai, it is constantly welling up in the drollest conceits. It is of all descriptions, too. Now it lurks in merry ambush, like the faint suggestion of a smile on an otherwise serious face, so subtile that the observer is left wondering whether the artist could have meant what seems more like one's own ingenious discovery; now it breaks out into the broadest of grins, absurd juxtapositions of singularly happy incongruities. For Hokusai's

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Turn of the Screw by Henry James:

and I said the same."

I thought a moment. "You were too sweet, too--I can hear you all. But nonetheless, between Miles and me, it's now all out."

"All out?" My companion stared. "But what, miss?"

"Everything. It doesn't matter. I've made up my mind. I came home, my dear," I went on, "for a talk with Miss Jessel."

I had by this time formed the habit of having Mrs. Grose literally well in hand in advance of my sounding that note; so that even now, as she bravely blinked under the signal of my word, I could keep her comparatively firm. "A talk! Do you mean she spoke?"