The first excerpt represents the past or something you must release, and is drawn from Concerning Christian Liberty by Martin Luther: good man and a Christian. For what to you are your goods and your
works, which are done over and above for the subjection of the
body, since you have abundance for yourself through your faith,
in which God has given you all things?
We give this rule: the good things which we have from God ought
to flow from one to another and become common to all, so that
every one of us may, as it were, put on his neighbour, and so
behave towards him as if he were himself in his place. They
flowed and do flow from Christ to us; He put us on, and acted for
us as if He Himself were what we are. From us they flow to those
who have need of them; so that my faith and righteousness ought
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Marvelous Land of Oz by L. Frank Baum: adventurous experiences. You will observe this engraved star upon my left
breast. It not only indicates where my excellent heart lies, but covers very
neatly the patch made by the Wonderful Wizard when he placed that valued
organ in my breast with his own skillful hands."
"Is your heart, then, a hand-organ?" asked the Pumpkinhead, curiously.
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"By no means," responded the emperor, with dignity. "It is, I am convinced,
a strictly orthodox heart, although somewhat larger and warmer than most
people possess."
Then he turned to the Scarecrow and asked:
"Are your subjects happy and contented, my dear friend?"
 The Marvelous Land of Oz |
The third excerpt represents the future or something you must embrace, and is drawn from Familiar Studies of Men and Books by Robert Louis Stevenson: literary training. Schools and colleges, for one great man
whom they complete, perhaps unmake a dozen; the strong spirit
can do well upon more scanty fare.
Robert steps before us, almost from the first, in his
complete character - a proud, headstrong, impetuous lad,
greedy of pleasure, greedy of notice; in his own phrase
"panting after distinction," and in his brother's "cherishing
a particular jealousy of people who were richer or of more
consequence than himself:" with all this, he was emphatically
of the artist nature. Already he made a conspicuous figure
in Tarbolton church, with the only tied hair in the parish,
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