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Today's Stichomancy for John Travolta

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The White Moll by Frank L. Packard:

"The idea being," she observed monotonously, "that, being safely away, and the necklace being left safely on the floor, you are left safely in possession of - the necklace. Well, my answer is - no!"

His face hardened a little.

"I'm sorry, then," he said. "For in that case, in so far as your project is concerned, I, too, must say - no!"

It was an impasse. She studied his face, the strong jaw set a little now, the lips molded in sterner lines, and for all her outward show of composure, she knew a sick dismay. And for a moment she neither moved nor spoke. What he would do next, she did not know; but she knew quite well that he had not the slightest

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Songs of Innocence and Experience by William Blake:

That shakes the blossoms of my hoary hair!'

A DIVINE IMAGE

Cruelty has a human heart, And Jealousy a human face; Terror the human form divine, And Secrecy the human dress.

The human dress is forged iron, The human form a fiery forge, The human face a furnace sealed, The human heart its hungry gorge.

A CRADLE SONG


Songs of Innocence and Experience
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Journal of the Plague Year by Daniel Defoe:

particularly when the watchman was sent of some errand; for it was his business to go of any errand that the family sent him of; that is to say, for necessaries, such as food and physic; to fetch physicians, if they would come, or surgeons, or nurses, or to order the dead-cart, and the like; but with this condition, too, that when he went he was to lock up the outer door of the house and take the key away with him, To evade this, and cheat the watchmen, people got two or three keys made to their locks, or they found ways to unscrew the locks such as were screwed on, and so take off the lock, being in the inside of the house, and while they sent away the watchman to the market, to the bakehouse, or for one trifle or another, open the door and go out as


A Journal of the Plague Year
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Seraphita by Honore de Balzac:

speaks in heaven, and earth hears him. Take one of his sentences by itself and a volume could be made of it'; and the disciple quotes the following passages taken from a thousand others that would answer the same purpose.

"'The kingdom of heaven,' says Swedenborg ('Celestial Arcana'), 'is the kingdom of motives. ACTION is born in heaven, thence into the world, and, by degrees, to the infinitely remote parts of earth. Terrestrial effects being thus linked to celestial causes, all things are CORRESPONDENT and SIGNIFICANT. Man is the means of union between the Natural and the Spiritual.'

"The Angelic Spirits therefore know the very nature of the


Seraphita