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Today's Stichomancy for Josh Hartnett

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Ten Years Later by Alexandre Dumas:

"D'Eymeris and Lyodot!" cried Fouquet, reading the paper eagerly again.

"Friends of M. F.," pointed the marquise with her finger.

"But what is the meaning of these words: `To be condemned by the Chamber of Justice'?"

"Dame!" said the marquise, "that is clear enough, I think. Besides, that is not all. Read on, read on;" and Fouquet continued, ---"The two first to death, the third to be dismissed, with MM. d'Hautemont and de la Vallette, who will only have their property confiscated."

"Great God!" cried Fouquet, "to death, to death! Lyodot and


Ten Years Later
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Across The Plains by Robert Louis Stevenson:

which I mean that he began to write and sell his tales. Here was he, and here were the little people who did that part of his business, in quite new conditions. The stories must now be trimmed and pared and set upon all fours, they must run from a beginning to an end and fit (after a manner) with the laws of life; the pleasure, in one word, had become a business; and that not only for the dreamer, but for the little people of his theatre. These understood the change as well as he. When he lay down to prepare himself for sleep, he no longer sought amusement, but printable and profitable tales; and after he had dozed off in his box-seat, his little people continued their evolutions with the same mercantile

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Falk by Joseph Conrad:

ble, shudder.

It was a habit he had, and of course I was per- fectly familiar with it, since you could not remain an hour in his company without being made to won- der at such a movement breaking some long period of stillness. it was a passionate and inexplicable gesture. He used to make it at all sorts of times; as likely as not after he had been listening to little Lena's chatter about the suffering doll, for instance. The Hermann children always besieged him about his legs closely, though, in a gentle way, he shrank


Falk
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Atheist's Mass by Honore de Balzac:

and crouching beside him in a way that made it seem as though he were praying too.

"This man centered all his affections in me; he looked upon me as a forlorn and suffering creature, and he became, to me, the most thoughtful mother, the most considerate benefactor, the ideal of the virtue which rejoices in its own work. When I met him in the street, he would throw me a glance of intelligence full of unutterable dignity; he would affect to walk as though he carried no weight, and seemed happy in seeing me in good health and well dressed. It was, in fact, the devoted affection of the lower classes, the love of a girl of the people transferred to a