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Today's Stichomancy for Kate Moss

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Sanitary and Social Lectures by Charles Kingsley:

keep a little of it for the honest man. We spend thousands in carrying out the separation of classes in prison; for God's sake let us try to separate them a little before they go to prison. We are afraid of the dangerous classes; for God's sake let us bestir ourselves to stop that reckless confusion and neglect which reign in the alleys and courts of our great towns, and which recruit those very dangerous classes from the class which ought to be, and is still, in spite of our folly, England's strength and England's glory. Let us no longer stand by idle, and see moral purity, in street after street, pent in the same noisome den with moral corruption, to be involved in one common doom, as the Latin tyrant

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Altar of the Dead by Henry James:

ever was, and in the way the two figures leaned to each other. Creston, making a step to look at something else, came nearer, glanced at him, started and exclaimed - behaviour the effect of which was at first only to leave Stransom staring, staring back across the months at the different face, the wholly other face, the poor man had shown him last, the blurred ravaged mask bent over the open grave by which they had stood together. That son of affliction wasn't in mourning now; he detached his arm from his companion's to grasp the hand of the older friend. He coloured as well as smiled in the strong light of the shop when Stransom raised a tentative hat to the lady. Stransom had just time to see she was

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tarzan of the Apes by Edgar Rice Burroughs:

piece of rope, carried it off into the densest part of the jungle.

He could not well negotiate the trees with his awkward burden, but he kept to the trails, and so made fairly good time.

For several hours he traveled a little north of east until he came to an impenetrable wall of matted and tangled vegetation. Then he took to the lower branches, and in another fifteen minutes he emerged into the amphitheater of the apes, where they met in council, or to celebrate the rites of the Dum-Dum.

Near the center of the clearing, and not far from the drum, or altar, he commenced to dig. This was harder work than turning up the freshly excavated earth at the grave, but


Tarzan of the Apes
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Man in Lower Ten by Mary Roberts Rinehart:

and partly detached. But it was the supporting chain that held my eye and fascinated with its sinister suggestion. Three inches of it had been snapped off, and as well as I knew anything on earth, I knew that the bit of chain that the amateur detective had found, blood-stain and all, belonged just there.

And there was no one I could talk to about it, no one to tell me how hideously absurd it was, no one to give me a slap and tell me there are tons of fine gold chains made every year, or to point out the long arm of coincidence!

With my one useful hand I fumbled the things back into the bag and thrust it deep out of sight among the pillows. Then I lay back in


The Man in Lower Ten