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Today's Stichomancy for Keanu Reeves

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Gambara by Honore de Balzac:

cook, who was watching him narrowly. Though a French /restaurateur/ may care little about seeing a dish scorned if he is sure of being paid for it, it is not so with an Italian, who is not often satiated with praises.

To gain time, Andrea complimented Giardini enthusiastically, but he leaned over to whisper in his ear, and slipping a gold piece into his hand under the table, begged him to go out and buy a few bottles of champagne, leaving him free to take all the credit of the treat.

When the Italian returned, every plate was cleared, and the room rang with praises of the master-cook. The champagne soon mounted these southern brains, and the conversation, till now subdued in the


Gambara
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Sylvie and Bruno by Lewis Carroll:

who had mounted a settee, and were holding a lively discussion that looked very like a quarrel.

"Lords and Ladies in Waiting, and various Court Officials," our guide gruffly remarked, as he led us in. Of me the Courtiers took no notice whatever: but Sylvie and Bruno were the subject of many inquisitive looks, and many whispered remarks, of which I only distinctly caught one--made by a sly-looking Dachshund to his friend "Bah wooh wahyah hoobah Oobooh, hah bah?" ("She's not such a bad-looking Human, is she?")

Leaving the new arrivals in the centre of the Saloon, the Sentinel advanced to a door, at the further end of it, which bore an inscription, painted on it in Doggee, "Royal Kennel--scratch and Yell."


Sylvie and Bruno
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Alexander's Bridge by Willa Cather:

great cunning. They would pretend to eat their oats like the other horses, but we knew they were always scheming to get back at the loco.

It seems that a man is meant to live only one life in this world. When he tries to live a second, he develops another nature. I feel as if a second man had been grafted into me. At first he seemed only a pleasure-loving simpleton, of whose company I was rather ashamed, and whom I used to hide under my coat when I walked the Embankment, in London.


Alexander's Bridge
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from War of the Worlds by H. G. Wells:

The air was full of sound, a deafening and confusing con- flict of noises--the clangorous din of the Martians, the crash of falling houses, the thud of trees, fences, sheds flashing into flame, and the crackling and roaring of fire. Dense black smoke was leaping up to mingle with the steam from the river, and as the Heat-Ray went to and fro over Weybridge its impact was marked by flashes of incandescent white, that gave place at once to a smoky dance of lurid flames. The nearer houses still stood intact, awaiting their fate, shadowy, faint and pallid in the steam, with the fire behind them going to and fro.


War of the Worlds