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Today's Stichomancy for Keanu Reeves

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Of The Nature of Things by Lucretius:

But rather with what sort of shape equipped, 'Tis thine to know the atoms need not colour, But render forth sensations, as of touch, That vary with their varied forms. Besides, Since special shapes have not a special colour, And all formations of the primal germs Can be of any sheen thou wilt, why, then, Are not those objects which are of them made Suffused, each kind with colours of every kind? For then 'twere meet that ravens, as they fly,


Of The Nature of Things
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Anna Karenina by Leo Tolstoy:

as a writer, but extremely deficient in breeding and shy in personal relations.

In spite of his absolute contempt for the author, it was with complete respect that Sergey Ivanovitch set about reading the article. The article was awful

The critic had undoubtedly put an interpretation upon the book which could not possibly be put on it. But he had selected quotations so adroitly that for people who had not read the book (and obviously scarcely any one had read it) it seemed absolutely clear that the whole book was nothing but a medley of high-flown phrases, not even--as suggested by marks of interrogation--used


Anna Karenina
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Rivers to the Sea by Sara Teasdale:

The sorrow, the torpor, the bitterness, the frail joy Come up to us Like a cold fog wrapping us round. Oh in a hundred years Not one of these blood-warm bodies

RIVERS TO THE SEA

But will be worthless as clay. The anguish, the torpor, the toil Will have passed to other millions Consumed by the same desires. Ages will come and go,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Economist by Xenophon:

man." I do not think I ever knew or heard tell of a bad master blessed with good servants. The converse I certainly have seen ere now, a good master and bad servants; but they were the sufferers, not he.[20] No, he who would create a spirit of carefulness in others[21] must have the skill himself to supervise the field of labour; to test, examine, scrutinise.[22] He must be ready to requite where due the favour of a service well performed, nor hesitate to visit the penalty of their deserts upon those neglectful of their duty.[23] Indeed (he added), the answer of the barbarian to the king seems aposite. You know the story,[24] how the king had met with a good horse, but wished to give the creature flesh and that without delay, and so asked some one