The first excerpt represents the past or something you must release, and is drawn from The Underdogs by Mariano Azuela: but Blondie pulled his gun and took aim.
"Come on, you son of a sea cook! If you keep on
I'll give you a nice warm one!"
Blondie went to the opposite wall, raised his gun and
fired. The bottle broke into bits, the alcohol poured over
the lad's ghastly face.
"Now it's a go," cried Blondie, running to the bar to
get another bottle, which he placed on the lad's head.
He returned to his former position, he whirled about,
and shot without aiming. But he hit the waiter's ear in-
stead of the bottle. Holding his sides with laughter, he
 The Underdogs |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Black Arrow by Robert Louis Stevenson: "My lord duke," said one of his attendants, "is your grace not
weary of exposing his dear life unneedfully? Why tarry we here?"
"Catesby," returned the duke, "here is the battle, not elsewhere.
The rest are but feigned onslaughts. Here must we vanquish. And
for the exposure - if ye were an ugly hunchback, and the children
gecked at you upon the street, ye would count your body cheaper,
and an hour of glory worth a life. Howbeit, if ye will, let us
ride on and visit the other posts. Sir Richard here, my namesake,
he shall still hold this entry, where he wadeth to the ankles in
hot blood. Him can we trust. But mark it, Sir Richard, ye are not
yet done. The worst is yet to ward. Sleep not."
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The third excerpt represents the future or something you must embrace, and is drawn from From the Earth to the Moon by Jules Verne: or a plow without a plowshare?"
"Hardly."
"Well, algebra is a tool, like the plow or the hammer, and a
good tool to those who know how to use it."
"Seriously?"
"Quite seriously."
"And can you use that tool in my presence?"
"If it will interest you."
"And show me how they calculated the initiatory speed of our car?"
"Yes, my worthy friend; taking into consideration all the
elements of the problem, the distance from the center of the
 From the Earth to the Moon |