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Today's Stichomancy for Lenny Kravitz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Dynamiter by Robert Louis Stevenson and Fanny Van De Grift Stevenson:

man's ears.

Challoner's position was too unusual to be long welcome to his mind. He found himself projected the whole length of England, on a mission beset with obscure and ridiculous circumstances, and yet, by the trust he had accepted, irrevocably bound to persevere. How easy it appeared, in the retrospect, to have refused the whole proposal, returned the money, and gone forth again upon his own affairs, a free and happy man! And it was now impossible: the enchantress who had held him with her eye had now disappeared, taking his honour in pledge; and as she had failed to leave him an

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Plutarch's Lives by A. H. Clough:

Tilphossium, was the first of those who thought it not advisable to put things to the decision of the sword, but rather to wear out the war by expense of time and treasure. The ground, however, near Orchomenus, where they then lay encamped, gave some encouragement to Archelaus, being a battle field admirably suited for an army superior in cavalry. Of all the plains in Boeotia that are renowned for their beauty and extent, this alone, which commences from the city of Orchomenus, spreads out unbroken and clear of trees to the edge of the fens in which the Melas, rising close under Orchomenus, loses itself, the only Greek river which is a deep and navigable water from the very head, increasing also about the summer solstice like the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Dawn O'Hara, The Girl Who Laughed by Edna Ferber:

or put in cut glass fixtures and handpainted china, Hugo Luders would serve an injunction on 'em. Next!"

"Who's the woman with the leathery complexion and the belt to match, and the untidy hair and the big feet? I like her face. And why does she sit at a table with all those strange-looking men? And who are all the men? And who is the fur-lined grand opera tenor just coming in-- Oh!"

Blackie glanced over his shoulder just as the tall man in the doorway turned his face toward us. "That? Why, girl, that's Von Gerhard, the man who gives me one

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs:

Many of the latter were mounted in precious metals and set with colored stones and priceless gems, while thick upon the hides that covered the walls were golden ornaments similar to those worn by the girl and those which had filled the chests he had examined in the storeroom of Fosh-bal-soj, leading the Englishman to the conviction that all such were spoils of war or theft, since each piece seemed made for personal adornment, while in so far as he had seen, no Wieroo wore ornaments of any sort.

And also as they advanced the more numerous became the Wieroos moving hither and thither within the temple. Many now were the solid red robes and those that were slashed with blue--a


Out of Time's Abyss