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Today's Stichomancy for Liam Neeson

The first excerpt represents the past or something you must release, and is drawn from Seraphita by Honore de Balzac:

of numbers, you have adorned it with hieroglyphics scientifically arranged and painted, and you cry out, 'All is here!'

"Let us pass from pure, unmingled Number to corporate Number. Your geometry establishes that a straight line is the shortest way from one point to another, but your astronomy proves that God has proceeded by curves. Here, then, we find two truths equally proved by the same science,--one by the testimony of your senses reinforced by the telescope, the other by the testimony of your mind; and yet the one contradicts the other. Man, liable to err, affirms one, and the Maker of the worlds, whom, so far, you have not detected in error, contradicts it. Who shall decide between rectalinear and curvilinear


Seraphita
The second excerpt represents the present or the deciding factor of the moment, and is drawn from La Grande Breteche by Honore de Balzac:

only a grander stage to become immortal.

" 'No, Josephine,' he said, 'I will not open it. In either event we should be parted for ever. Listen; I know all the purity of your soul, I know you lead a saintly life, and would not commit a deadly sin to save your life.'--At these words Madame de Merret looked at her husband with a haggard stare.--'See, here is your crucifix,' he went on. 'Swear to me before God that there is no one in there; I will believe you--I will never open that door.'

"Madame de Merret took up the crucifix and said, 'I swear it.'

" 'Louder,' said her husband; 'and repeat: "I swear before God that there is nobody in that closet." ' She repeated the words without


La Grande Breteche
The third excerpt represents the future or something you must embrace, and is drawn from Reason Discourse by Rene Descartes:

a continuous body or a space indefinitely extended in length, breadth, and height or depth, divisible into divers parts which admit of different figures and sizes, and of being moved or transposed in all manner of ways (for all this the geometers suppose to be in the object they contemplate), I went over some of their simplest demonstrations. And, in the first place, I observed, that the great certitude which by common consent is accorded to these demonstrations, is founded solely upon this, that they are clearly conceived in accordance with the rules I have already laid down In the next place, I perceived that there was nothing at all in these demonstrations which could assure me of the existence of their object: thus, for example, supposing a triangle to be given, I distinctly


Reason Discourse