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Today's Stichomancy for Lucy Liu

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Gambara by Honore de Balzac:

to crush your heart, and transfer your life into the world of abstractions; religion would have absorbed all else, and you would have lived for an idea, like those saintly women who kill all the instincts of nature at the foot of the altar. But the all-pervading charm of Paolo, the loftiness of his mind, his rare and touching proofs of tenderness, constantly drag you down from that ideal realm where virtue would fain maintain you; they perennially revive in you the energies you have exhausted in contending with the phantom of love. You never suspected this! The faintest glimmer of hope led you on in pursuit of the sweet vision.

"At last the disappointments of many years have undermined your

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Road to Oz by L. Frank Baum:

through the maze of scattered houses. There was the road again, leading far away into the unknown country beyond.

"King Kik-a-bray says you must not forget his invitation," said the brown donkey, as they passed through the opening in the wall.

"I shan't," promised Dorothy.

Perhaps no one ever beheld a more strangely assorted group than the one which now walked along the road, through pretty green fields and past groves of feathery pepper-trees and fragrant mimosa. Polychrome, her beautiful gauzy robes floating around her like a rainbow cloud, went first, dancing back and forth and darting now here to pluck a wild-flower or there to watch a beetle crawl across the path. Toto ran

The Road to Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Gambara by Honore de Balzac:

Olympus. There is the bitter laughter of a divine being mocking the surprise of a troubadour Don-Juanizing himself. But for this dignity we should be too suddenly brought down to the general tone of the opera, here stamped on that terrible fury of diminished sevenths which resolves itself into an infernal waltz, and finally brings us face to face with the demons.

"How emphatically Bertram's couplet stands out in B minor against that diabolical chorus, depicting his paternity, but mingling in fearful despair with these demoniacal strains.

"Then comes the delightful transition of Alice's reappearance, with the /ritornel/ in B flat. I can still hear that air of angelical

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Glinda of Oz by L. Frank Baum:

web, which he was able to sever with one nip.

When enough of the web had been cut to allow them to pass, Dorothy ran back to the pool and placed the white crab in the water, after which she rejoined Ozma. They were just in time to escape through the web, for several of the purple spiders now appeared, having discovered that their web had been cut, and had the girls not rushed through the opening the spiders would have quickly repaired the cuts and again imprisoned them.

Ozma and Dorothy ran as fast as they could and

Glinda of Oz