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Today's Stichomancy for Matt Damon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Edingburgh Picturesque Notes by Robert Louis Stevenson:

characteristic of the place. Into no other city does the sight of the country enter so far; if you do not meet a butterfly, you shall certainly catch a glimpse of far- away trees upon your walk; and the place is full of theatre tricks in the way of scenery. You peep under an arch, you descend stairs that look as if they would land you in a cellar, you turn to the back-window of a grimy tenement in a lane:- and behold! you are face-to-face with distant and bright prospects. You turn a corner, and there is the sun going down into the Highland hills. You look down an alley, and see ships tacking for the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Adam Bede by George Eliot:

sets me achin'. An' th' lads tease me so t' ha' somebody wi' me t' do the work--they make me ache worse wi' talkin'. If thee'dst come and stay wi' me, they'd let me alone. The Poysers canna want thee so bad as I do. But take thy bonnet off, an' let me look at thee."

Dinah was moving away, but Lisbeth held her fast, while she was taking off her bonnet, and looked at her face as one looks into a newly gathered snowdrop, to renew the old impressions of purity and gentleness.

"What's the matter wi' thee?" said Lisbeth, in astonishment; "thee'st been a-cryin'."


Adam Bede
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Catherine de Medici by Honore de Balzac:

bound together by ropes. These wedges were driven in on a line with the knees and the ankles. The choice of these places where there is little flesh, and where, consequently, the wedge could only be forced in by crushing the bones, made this form of torture, called the "question," horribly painful. In the "ordinary question" four wedges were driven in,--two at the knees, two at the ankles; but in the "extraordinary question" the number was increased to eight, provided the doctor certified that the prisoner's vitality was not exhausted. At the time of which we write the "boots" were also applied in the same manner to the hands and wrists; but, being pressed for time, the cardinal, the lieutenant-general, and the chancellor spared Christophe

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Children of the Night by Edwin Arlington Robinson:

My wasted life twice over in bearing With all my sorrow the sorrows of others, -- Till I found myself their fool. Then I trembled, -- A poor scared thing, -- and their prying faces Told me the ghastly truth: they were laughing At me and my fate. My God, I could feel it -- That laughter! And then the children caught it; And I, like a struck dog, crept and listened. And then when I met the man who had weakened A woman's love to his own desire, It seemed to me that all hell were laughing