The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Woodlanders by Thomas Hardy: Melbury was a traveller of the old-fashioned sort; having just
come from Shottsford-Forum, he still had in his pocket the
pilgrim's flask of rum which he always carried on journeys
exceeding a dozen miles, though he seldom drank much of it. He
poured it down the surgeon's throat, with such effect that he
quickly revived. Melbury got him on his legs; but the question
was what to do with him. He could not walk more than a few steps,
and the other horse had gone away.
With great exertion Melbury contrived to get him astride Darling,
mounting himself behind, and holding Fitzpiers round his waist
with one arm. Darling being broad, straight-backed, and high in
![](http://images.amazon.com/images/P/1853262935.01.MZZZZZZZ.gif) The Woodlanders |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Melmoth Reconciled by Honore de Balzac: give the story.
Your genuine trooper (if it is allowable here to employ the word which
in the army signifies a man who is destined to die as a captain) is a
sort of serf, a part and parcel of his regiment, an essentially simple
creature, and Castanier was marked out by nature as a victim to the
wiles of mothers with grown-up daughters left too long on their hands.
It was at Nancy, during one of those brief intervals of repose when
the Imperial armies were not on active service abroad, that Castanier
was so unlucky as to pay some attention to a young lady with whom he
danced at a ridotto, the provincial name for the entertainments often
given by the military to the townsfolk, or vice versa, in garrison
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