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Today's Stichomancy for Mick Jagger

The first excerpt represents the past or something you must release, and is drawn from Summer by Edith Wharton:

Crimson Rambler because she had given up boarding- school to stay with him.

After an interval he began again: "It was a day just like this, only spitting snow, when I come up here for you the first time." Then, as if fearing that she might take his remark as a reminder of past benefits, he added quickly: "I dunno's you think it was such a good job, either."

"Yes, I do," she murmured, looking straight ahead of her.

"Well," he said, "I tried----"

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Menexenus by Plato:

much value is that of Aristotle; for the Alexandrian catalogues of a century later include manifest forgeries. Even the value of the Aristotelian authority is a good deal impaired by the uncertainty concerning the date and authorship of the writings which are ascribed to him. And several of the citations of Aristotle omit the name of Plato, and some of them omit the name of the dialogue from which they are taken. Prior, however, to the enquiry about the writings of a particular author, general considerations which equally affect all evidence to the genuineness of ancient writings are the following: Shorter works are more likely to have been forged, or to have received an erroneous designation, than longer ones; and some kinds of composition, such as epistles or panegyrical

The third excerpt represents the future or something you must embrace, and is drawn from Juana by Honore de Balzac:

they laid down the body of the murdered man to confront the assassin with the sight of it. She turned round and saw Diard white and livid. The man was nearly fainting, and tried to sit down.

"Your children implore you," she said, putting the pistol beneath his hand.

"But--my good Juana, my little Juana, do you think--Juana! is it so pressing?--I want to kiss you."

The gendarmes were mounting the staircase. Juana grasped the pistol, aimed it at Diard, holding him, in spite of his cries, by the throat; then she blew his brains out and flung the weapon on the ground.

At that instant the door was opened violently. The public prosecutor,