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Today's Stichomancy for Mitt Romney

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lady Chatterley's Lover by D. H. Lawrence:

to go that way.'

'The common people too, the working people?'

'All the lot. Their spunk is gone dead. Motor-cars and cinemas and aeroplanes suck that last bit out of them. I tell you, every generation breeds a more rabbity generation, with india rubber tubing for guts and tin legs and tin faces. Tin people! It's all a steady sort of bolshevism just killing off the human thing, and worshipping the mechanical thing. Money, money, money! All the modern lot get their real kick out of killing the old human feeling out of man, making mincemeat of the old Adam and the old Eve. They're all alike. The world is all alike: kill off the human reality, a quid for every foreskin,


Lady Chatterley's Lover
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Jolly Corner by Henry James:

conservative Avenue. The Avenue still had pretensions, as Miss Staverton said, to decency; the old people had mostly gone, the old names were unknown, and here and there an old association seemed to stray, all vaguely, like some very aged person, out too late, whom you might meet and feel the impulse to watch or follow, in kindness, for safe restoration to shelter.

They went in together, our friends; he admitted himself with his key, as he kept no one there, he explained, preferring, for his reasons, to leave the place empty, under a simple arrangement with a good woman living in the neighbourhood and who came for a daily hour to open windows and dust and sweep. Spencer Brydon had his

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Deputy of Arcis by Honore de Balzac:

an Englishman, very bald, with a red nose, and long yellow teeth. He received me with cold politeness, and asked in very good French what my business was."

"Did you propose to him Luigia?"

"That was what I went for,--in the character, be it understood, of a Swedish nobleman. He asked if her talent was known. 'Absolutely unknown,' I replied. 'It is risky,' said Sir Francis; 'nevertheless arrange to let me hear her.' I told him that she was staying with her friend Madame de Saint-Esteve, at whose house I could take the liberty to invite him to dinner."

"When?" asked Jacqueline.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from La Grenadiere by Honore de Balzac:

vendangeoir--a vintage-house belonging to townsfolk in Tours, from which Saint-Cyr is separated by the vast river-bed of the Loire. The owners only came over for the day for a picnic, or at the vintage- time, sending provisions across in the morning, and scarcely ever spent the night there except during the grape harvest; but the English settled down on Touraine like a cloud of locusts, and La Grenadiere must, of course, be completed if it was to find tenants. Luckily, however, this recent appendage is hidden from sight by the first two trees of a lime-tree avenue planted in a gully below the vineyards.

There are only two acres of vineyard at most, the ground rising at the back of the house so steeply that it is no very easy matter to