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Today's Stichomancy for Nick Lachey

The first excerpt represents the past or something you must release, and is drawn from Rinkitink In Oz by L. Frank Baum:

They all settled down very comfortably in the new palace and the Queen gathered her maids about her once more and set them to work embroidering new draperies for the royal throne. Inga placed the three Magic Pearls in their silken bag and again deposited them in the secret cavity under the tiled flooring of the banquet hall, where they could be quickly secured if danger ever threatened the now prosperous island.

King Rinkitink occupied a royal guest chamber built especially for his use and seemed in no hurry to leave his friends in Pingaree. The fat little King had to


Rinkitink In Oz
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot:

the dirigible. It is stated, however, that this upper gun has proved unsatisfactory, owing to the stresses and strains imposed upon the framework of the envelope of the Zeppelin during firing, and it has apparently been abandoned. The position, however, is still available for a sniper or sharpshooter.

The position in the sky between two such combatants is closely analogous to that of a torpedo boat and a Dreadnought. The latter, so long as it can keep the former at arm's, or rather gun's, distance is perfectly safe. The torpedo boat can only aspire to harass its enemy by buzzing around, hoping that a lucky opportunity will develop to enable it to rush in and to launch

The third excerpt represents the future or something you must embrace, and is drawn from A Daughter of Eve by Honore de Balzac:

forms of poesy. The lover thus became one of their leading topics,--a being rare in point of act and much desired. The few affairs which were known gave rise to discussions, and these discussions were, as usually happens, carried on by immaculate women.

A fact worthy of remark is the aversion shown to such conversations by women who are enjoying some illicit happiness; they maintain before the eyes of the world a reserved, prudish, and even timid countenance; they seem to ask silence on the subject, or some condonation of their pleasure from society. When, on the contrary, a woman talks freely of such catastrophes, and seems to take pleasure in doing so, allowing herself to explain the emotions that justify the guilty parties, we