Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Nicole Kidman

The first excerpt represents the past or something you must release, and is drawn from Where There's A Will by Mary Roberts Rinehart:

When I opened my eyes Mr. Pierce was sitting on the other side of the chimney and staring at the fire. He had a pipe between his teeth, but he wasn't smoking, and he had something of the same look about his mouth he'd had the first day I saw him.

"Well?" he said, when he saw I was awake.

"I guess I was sleeping." I sat up and pushed in my hairpins and yawned. I was tireder than ever. "I'm clean worn out."

"Of course you're tired," he declared angrily. "You're not a horse, and you haven't been to bed for two nights."

"Care killed the cat," I said. "I don't mind losing sleep, but it's like walking in a swamp, Mr. Pierce. First I put a toe in--

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Phantasmagoria and Other Poems by Lewis Carroll:

And must I then, at Friendship's call, Calmly resign the little all (Trifling, I grant, it is and small) I have of gladness, And lend my being to the thrall Of gloom and sadness?

And think you that I should be dumb, And full DOLORUM OMNIUM, Excepting when YOU choose to come And share my dinner? At other times be sour and glum

The third excerpt represents the future or something you must embrace, and is drawn from The Jolly Corner by Henry James:

corks - just as his gestures of response were the extravagant shadows, emphatic in proportion as they meant little, of some game of OMBRES CHINOISES. He projected himself all day, in thought, straight over the bristling line of hard unconscious heads and into the other, the real, the waiting life; the life that, as soon as he had heard behind him the click of his great house-door, began for him, on the jolly corner, as beguilingly as the slow opening bars of some rich music follows the tap of the conductor's wand.

He always caught the first effect of the steel point of his stick on the old marble of the hall pavement, large black-and-white squares that he remembered as the admiration of his childhood and