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Today's Stichomancy for Peter O'Toole

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Madame Firmiani by Honore de Balzac:

error and resignation, crime and devotion, the Donna Julia and the Haidee of Lord Byron.

The former guardsman stayed, with apparent impertinence, after the other guests had left the salons; and Madame Firmiani found him sitting quietly before her in an armchair, evidently determined to remain, with the pertinacity of a fly which we are forced to kill to get rid of it. The hands of the clock marked two in the morning.

"Madame," said the old gentlemen, as Madame Firmiani rose, hoping to make him understand that it was her good pleasure he should go, "Madame, I am the uncle of Monsieur Octave de Camps."

Madame Firmiani immediately sat down again, and showed her emotion. In

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Weir of Hermiston by Robert Louis Stevenson:

was wanting with kind looks, produced his snuff-box (which was very rarely seen) to fill in a pause, and at last, despairing of any further social success, was upon the point of getting down a book to read a favourite passage, when there came a rather startling summons at the front door, and Carstairs ushered in my Lord Glenkindie, hot from a midnight supper. I am not aware that Glenkindie was ever a beautiful object, being short, and gross-bodied, and with an expression of sensuality comparable to a bear's. At that moment, coming in hissing from many potations, with a flushed countenance and blurred eyes, he was strikingly contrasted with the tall, pale, kingly figure of Glenalmond. A rush of confused thought came over Archie - of shame that this was one

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Seraphita by Honore de Balzac:

of omnipotence sounding the cries of victory in chords of which a single one would shake the earth, but which are lost in the spaces of a world that hath neither east nor west.

"Canst thou comprehend, my poor beloved Tried-one, that unless the torpor and the veils of sleep had wrapped thee, such sights would rend and bear away thy mind as the whirlwinds rend and carry into space the feeble sails, depriving thee forever of thy reason? Dost thou understand that the Soul itself, raised to its utmost power can scarcely endure in dreams the burning communications of the Spirit?

"Speed thy way through the luminous spheres; behold, admire, hasten! Flying thus thou canst pause or advance without weariness. Like other


Seraphita
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Faith of Men by Jack London:

"Lit-lit--well, she is Lit-lit," was the fashion in which he despairingly described her to his chief clerk, Alexander McLean.

McLean was too fresh from his Scottish upbringing--"not dry behind the ears yet," John Fox put it--to take to the marriage customs of the country. Nevertheless he was not averse to the Factor's imperilling his own immortal soul, and, especially, feeling an ominous attraction himself for Lit-lit, he was sombrely content to clinch his own soul's safety by seeing her married to the Factor.

Nor is it to be wondered that McLean's austere Scotch soul stood in danger of being thawed in the sunshine of Lit-lit's eyes. She was pretty, and slender, and willowy; without the massive face and