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Today's Stichomancy for Rebecca Gayheart

The first excerpt represents the past or something you must release, and is drawn from A treatise on Good Works by Dr. Martin Luther:

believe and do, then you are humbly to confess it to God, and so begin with a weak spark of faith and daily strengthen it more and more by exercising it in all your living and doing. For as touching infirmity of faith (that is, of the First and highest Commandment), there is no one on earth who does not have his good share of it. For even the holy Apostles in the Gospel, and especially St. Peter, were weak in faith, so that they also prayed Christ and said: "Lord, increase our faith "; and He very frequently rebukes them because they have so little faith.

Therefore you shall not despair, nor give up, even if you find that you do not believe as firmly as you ought and wish, in your

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Moon-Face and Other Stories by Jack London:

"I have it! But no, wait a minute."

And for a minute it was his turn to study her. And study her he did, till she could feel her cheeks flushing under his gaze.

"You'll do, I think, though it remains to be seen," he said enigmatically. "It will show the stuff that's in you, besides, and it will be a better claim upon the INTELLIGENCER people than all the lines from all the senators and magnates in the world. The thing for you is to do Amateur Night at the Loops."

"I--I hardly understand," Edna said, for his suggestion conveyed no meaning to her. "What are the 'Loops'? and what is 'Amateur Night'?"

"I forgot you said you were from the interior. But so much the better, if you've only got the journalistic grip. It will be a first impression, and

The third excerpt represents the future or something you must embrace, and is drawn from Rise and Fall of Cesar Birotteau by Honore de Balzac:

the Chamber, and they begged Monsieur Birotteau to return on the following Friday. These delays were killing to the poor man. But Friday came at last. Birotteau found himself in the cabinet, placed in one corner of the fireplace, facing the light from a window, with Adolphe Keller opposite to him.

"They are all right, monsieur," said the banker, pointing to the deeds. "But what payments have you made on the price of the land?"

"One hundred and forty thousand francs."

"Cash?"

"Notes."

"Are they paid?"


Rise and Fall of Cesar Birotteau