The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Adieu by Honore de Balzac: months later. He had some slight control over Madame de Vandieres; he
alone could induce her to wear clothing. 'Adieu,' that word, which is
her only language, she seldom uttered at that time. Fleuriot had
endeavored to awaken in her a few ideas, a few memories of the past;
but he failed; all that he gained was to make her say that melancholy
word a little oftener. Still, the grenadier knew how to amuse her and
play with her; my hope was in him, but--"
He was silent for a moment.
"Here," he continued, "she has found another creature, with whom she
seems to have some strange understanding. It is a poor idiotic
peasant-girl, who, in spite of her ugliness and stupidity, loved a
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Court Life in China by Isaac Taylor Headland: a fund of experience and information which can be obtained in no
other way. She was one of the great middle class. She knew the
troubles and trials of the poor. She had felt the pangs of
hunger. She could sympathize with the millions of ambitious girls
struggling to be freed from the trammels of ignorance and the
age-old customs of the past--a combat which was the more real
because it must be carried on in silence. And who can say that it
was not the struggles and privations of her own childhood which
led to the wish in her last years that "the girls of my empire
may be educated"?
When little Miss Chao had reached the age of fourteen or fifteen
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