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Today's Stichomancy for Robert De Niro

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Vailima Letters by Robert Louis Stevenson:

planned with a good deal more consideration than goes usually with a native campaign.

(I sat on the opposite side of the circle to the talking man. His face was quite calm and high-bred as he went through the usual Samoan expressions of politeness and compliment, but when he came on to the object of their visit, on their love and gratitude to Tusitala, how his name was always in their prayers, and his goodness to them when they had no other friend, was their most cherished memory, he warmed up to real, burning, genuine feeling. I had never seen the Samoan mask of reserve laid aside before, and it touched me more

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from An Occurrence at Owl Creek Bridge by Ambrose Bierce:

assassin. The liberal military code makes provision for hanging many kinds of persons, and gentlemen are not excluded.

The preparations being complete, the two private soldiers stepped aside and each drew away the plank upon which he had been standing. The sergeant turned to the captain, saluted and placed himself immediately behind that officer, who in turn moved apart one pace. These movements left the condemned man and the sergeant standing on the two ends of the same plank, which spanned three of the cross-ties of the bridge. The end upon which the civilian stood almost, but

An Occurrence at Owl Creek Bridge
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Princess by Alfred Tennyson:

To blind the truth and me: for her, and her, Hebes are they to hand ambrosia, mix The nectar; but--ah she--whene'er she moves The Samian Herč rises and she speaks A Memnon smitten with the morning Sun.'

So saying from the court we paced, and gained The terrace ranged along the Northern front, And leaning there on those balusters, high Above the empurpled champaign, drank the gale That blown about the foliage underneath, And sated with the innumerable rose,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Christ in Flanders by Honore de Balzac:

The skipper blew his horn for the last time, looked along the silent shore, flung off the chain, ran along the side of the boat, and took up his position at the helm. He looked at the sky, and as soon as they were out in the open sea, he shouted to the men: "Pull away, pull with all your might! The sea is smiling at a squall, the witch! I can feel the swell by the way the rudder works, and the storm in my wounds."

The nautical phrases, unintelligible to ears unused to the sound of the sea, seemed to put fresh energy into the oars; they kept time together, the rhythm of the movement was still even and steady, but quite unlike the previous manner of rowing; it was as if a cantering horse had broken into a gallop. The gay company seated in the stern