The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Records of a Family of Engineers by Robert Louis Stevenson: the general rule of having two boats afloat in landing
expeditions of this kind, that, in case of accident to one
boat, the other might assist. In several unsuccessful
attempts the boats were beat back by the breach of the sea
upon the rock. On the eastern side it separated into two
distinct waves, which came with a sweep round to the western
side, where they met; and at the instance of their confluence
the water rose in spray to a considerable height. Watching
what the sailors term a SMOOTH, we caught a favourable
opportunity, and in a very dexterous manner the boats were
rowed between the two seas, and made a favourable landing at
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Moon-Face and Other Stories by Jack London: girl saw without seeing, as she heard, without hearing, the deep gurgling of
the stream far below on the canyon bottom.
She looked down at the man. "Well?" she asked, with the firmness which feigns
belief that obedience will be forthcoming.
She was sitting upright, her back against a fallen tree-trunk, while he lay
near to her, on his side, an elbow on the ground and the hand supporting his
head.
"Dear, dear Lute," he murmured.
She shivered at the sound of his voice--not from repulsion, but from struggle
against the fascination of its caressing gentleness. She had come to know well
the lure of the man--the wealth of easement and rest that was promised by
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