The first excerpt represents the past or something you must release, and is drawn from Modeste Mignon by Honore de Balzac: eyesight, said to be weak, obliged the worthy man to wear green
goggles for the protection of his eyes, which were constantly
inflamed. The arch of each eyebrow, defined by a thin down of hair,
surrounded the tortoise-shell rim of the glasses and made a couple of
circles as it were, slightly apart. If you have never observed on the
human face the effect produced by these circumferences placed one
within the other, and separated by a hollow space or line, you can
hardly imagine how perplexing such a face will be to you, especially
if pale, hollow-cheeked, and terminating in a pointed chin like that
of Mephistopheles,--a type which painters give to cats. This double
resemblance was observable on the face of Babylas Latournelle. Above
 Modeste Mignon |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Lost Princess of Oz by L. Frank Baum: get.
Our friends did not know, of course, what Ugu was about to do. They
saw the dishpan tremble an instant and then disappear, the dove
disappearing with it, and although they waited expectantly for some
minutes for the magician's return, Ugu did not come back again.
"Seems to me," said the Wizard in a cheerful voice, "that we have
conquered the wicked magician more quickly than we expected to."
"Don't say 'we.' Dorothy did it!" cried the Patchwork Girl, turning
three somersaults in succession and then walking around on her hands.
"Hurrah for Dorothy!"
"I thought you said you did not know how to use the magic of the Nome
 The Lost Princess of Oz |
The third excerpt represents the future or something you must embrace, and is drawn from One Basket by Edna Ferber: At twenty, she married an artisan, a surly fellow with roving
tendencies. They moved from town to town. He never stuck long
at one job. John, the older boy, was as much his mother's son as
Minnie was her mother's daughter. Restless, dissatisfied,
emptyheaded, he was the despair of his father. He drove the farm
horses as if they were racers, lashing them up hill and down
dale. He was forever lounging off to the village or wheedling
his mother for money to take him to Commercial. It was before
the day of the ubiquitous automobile. Given one of those present
adjuncts to farm life, John would have ended his career much
earlier. As it was, they found him lying by the roadside at dawn
 One Basket |