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Today's Stichomancy for Rosie O'Donnell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Chita: A Memory of Last Island by Lafcadio Hearn:

Then, if the sea sleeps, it dreams of all these,--faintly, weirdly,--shadowing them even to the verge of heaven.

Beautiful, too, are those white phantasmagoria which, at the approach of equinoctial days, mark the coming of the winds. Over the rim of the sea a bright cloud gently pushes up its head. It rises; and others rise with it, to right and left--slowly at first; then more swiftly. All are brilliantly white and flocculent, like loose new cotton. Gradually they mount in enormous line high above the Gulf, rolling and wreathing into an arch that expands and advances,--bending from horizon to horizon.

A clear, cold breath accompanies its coming. Reaching the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Mistress Wilding by Rafael Sabatini:

"I must, child."

"You must not;" the other insisted. "Think what it may mean - Richard's life, perhaps. No, no, Ruth, dear. Go on; go on to Zoyland. I'll follow you in a few minutes."

"I'll wait for you," said Ruth with firmness.

At that Diana rose, and in rising staggered. "Then we'll push on at once," she gasped, as if speech itself were an excruciating effort.

"But you are in no case to stand!" said Ruth. "Sit, Diana, sit."

"Either you go on alone or I go with you, but go at once you must. At any moment Mr. Wilding may go forth, and your chance is lost. I'll not have Richard's blood upon my head."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Woman and Labour by Olive Schreiner:

and intensity of their sexual emotions. And, if possible, with the human female, the relation between intensity of sexual emotion and high intellectual gifts has been yet closer. The life of a Sophia Kovalevsky, a George Eliot, an Elizabeth Browning have not been more marked by a rare development of the intellect than by deep passionate sexual emotions. Nor throughout the history of the race has high intelligence and intellectual power ever tended to make either male or female unattractive to those of the opposite sex.

The merely brilliantly attired and unintelligent woman, probably never awakened the same intensity of profound sex emotion even among the men of her own type, which followed a George Sand; who attracted to herself with

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lair of the White Worm by Bram Stoker:


The consequences of that meeting in the dusk of Diana's Grove were acute and far-reaching, and not only to the two engaged in it. From Oolanga, this might have been expected by anyone who knew the character of the tropical African savage. To such, there are two passions that are inexhaustible and insatiable--vanity and that which they are pleased to call love. Oolanga left the Grove with an absorbing hatred in his heart. His lust and greed were afire, while his vanity had been wounded to the core. Lady Arabella's icy nature was not so deeply stirred, though she was in a seething passion. More than ever she was set upon bringing Edgar Caswall to her feet.

Lair of the White Worm